Protispomeniki v kontekstu sodobnih vojnih spomenikov

Abstract

Keywords

Data

Language:	Slovenian
Year of publishing:	2012
Source:	Ljubljana
Typology:	2.11 - Undergraduate Thesis
Organization:	UL PEF - Faculty of Education
Publisher:	[K. Bajc]
UDC:	725.954(043.2)
COBISS:	9130825
Views:	941
Downloads:	260
Average score:	0 (0 votes)
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Secondary language:	English
Secondary title:	Antimonumnents in the context of contemporary war memorials
Secondary abstract:	The thesis concentrates on the concept of antimonumnent as a critique of traditional monument, which has been recognized as one of mechanisms of political and social control. The selection of examples in the text is limited to the war memorials and memorials connected with the consequences of war, such as Holocaust, the position of veterans in society, terrorism... Contemporary artists which produce war antimonumnents attempt to modernise the function and therefore also the form of the monument itself. The these is illustrated through examples of work of Jochem in Esther Shalev-Gertz, Horst Hoheisel, Norbert Redermacher and works of architects such as Peter Eiseman, Maya Lin, Michael Arad and others. With the inversion of the monument under ground surface; with reduction to the minimalist form; with creating an atmosphere and space more than the clear narrative; with temporary character of happening and installation; artists try to stress that monument can never replace our own critical relationship to memory. New forms in memorials have their impact on memorials message, which is becoming more and more diffuse and open to personal interpretation and it also influences the ways events re-enter political life.
Secondary keywords:	fine arts;likovna umetnost;
File type:	application/pdf
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. Ljubljana, Pedagoška fak., Likovna pedagogika
Pages:	85 f.
Type (ePrints):	thesis
Title (ePrints):	Antimonumnents in the context of contemporary war memorials
Keywords (ePrints):	protispomenik
Keywords (ePrints, secondary language):	antimonumnent
Abstract (ePrints):	Diplomska naloga se posveča protispomeniku, kot kritiki institucije spomenika samega in ga prepoznava kot enega mehanizmov družbene in politične kontrole. Omeji se le na vojne spomenike in spomenike povezane s posledicami vojne, kot so Holokavst, položaj vojnih veteranov v družbi, terorizem ipd. Preko primerov del umetnikov Jochem in Esther Shalev-Gertza, Horsta Hoheisela, Norberta Redermacherja in del arhitektov Petra Eisemana, Maye Lin, Michaela Arada ter drugih, diplomska naloga prikaže na kakšen način sodobni avtorji spomeniških del poskušajo posodobiti funkcijo in obliko vojnega spomenika samega. Z insceniranjem izginjanja spomenikov, reduciranjem spomeniških objektov na primarne oblike, ustvarjanjem minimalističnega prostora in ustrezne atmosfere, bolj kot pa uveljavljanjem enoznačne narative, happeningom in inštalacijo želijo avtorji protispomenikov opozoriti na dejstvo, da spomeniki sicer osvetljujejo in poudarjajo določene zgodovinske povezave, nikoli pa ne morejo nadomestiti javne ali individualne odgovornosti za kritično spominjanje. Nove umetniške oblike spomenikov imajo vpliv na sporočilo spomenika in postajajo vedno bolj odprte za zasebno interpretacijo ter zato na drugačen način vstopajo v politično življenje.
Abstract (ePrints, secondary language):	The thesis concentrates on the concept of antimonumnent as a critique of traditional monument, which has been recognized as one of mechanisms of political and social control. The selection of examples in the text is limited to the war memorials and memorials connected with the consequences of war, such as Holocaust, the position of veterans in society, terrorism... Contemporary artists which produce war antimonumnents attempt to modernise the function and therefore also the form of the monument itself. The these is illustrated through examples of work of Jochem in Esther Shalev-Gertz, Horst Hoheisel, Norbert Redermacher and works of architects such as Peter Eiseman, Maya Lin, Michael Arad and others. With the inversion of the monument under ground surface; with reduction to the minimalist form; with creating an atmosphere and space more than the clear narrative; with temporary character of happening and installation; artists try to stress that monument can never replace our own critical relationship to memory. New forms in memorials have their impact on memorials message, which is becoming more and more diffuse and open to personal interpretation and it also influences the ways events re-enter political life.
Keywords (ePrints, secondary language):	antimonumnent
ID:	8308843