Fenomen oranžne barve in likovna artikulacija

diplomsko delo

Martina Štravs (Author), Oto Rimele (Mentor)

Abstract

V zgodovini barvne teorije so si številni raziskovalci prizadevali, da bi barve razvrstili po sistemu, ki bi omogočal njihovo označevanje. Diplomsko delo z naslovom Fenomen oranžne barve in likovna artikulacija je poglobljeno delo o barvi, oranžni barvi in fenomenu medsebojnega delovanja in vplivanja dveh ali več barv. Diplomsko delo je razdeljeno na uvodni del, kjer predstavim svetlobo kot začetek vsega. Sledijo značilnosti oranžne barve, kjer pišem o fizikalnih, fizioloških, psiholoških učinkih oranžne barve. Nadaljujem z oranžno barvo v likovni teoriji, kakšne so lastnosti oranžne barve in kako se le-ta na različnih barvnih podlagah spreminja. Ob analiziranja barv so navedeni primeri reprodukcij različnih likovnih kompozicij. Umetniki, ki so uporabljali oranžno barvo, so nato obravnavani v novem poglavju. V zaključnem delu je predstavljena moja likovna izkušnja z oranžno barvo. Ustvarila sem sliko ob poslušanju skladbe skladatelja Alda Kumarja, Strastra in tako tudi poimenovala diptih, saj je njena barva oranžna.

Keywords

likovna umetnost;barve;oranžna barva;likovna artikulacija;svetloba;pigmenti;diplomska dela;

Data

Language:	Slovenian
Year of publishing:	2010
Source:	Maribor
Typology:	2.11 - Undergraduate Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[M. Štravs]
UDC:	73/76(043.2)
COBISS:	17882888
Views:	3165
Downloads:	209
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	THE PHENOMENON OF THE ORANGE COLOUR AND FINE ART ARTICULATION
Secondary abstract:	In the history of colour theory, many researchers have endeavoured to classify colour according to the system that would allow their identification. The thesis entitled The phenomenon of orange colour and fine art articulation is detailed work on colour, colour orange, and on the phenomenon of interaction with other colours in the visual arts. The thesis is divided into an introductory part, where light is presented as the beginning of everything. There follow the characteristics of the orange colour, where we learn about the physical, physiological and psychological effects of this colour. This is proceeded by the orange colour in art theory, with major a characteristics of the orange colour and how it changes on different colour bases. In addition to the analysis of the colours, examples of reproductions of various fine art compositions are presented. Artists, who have used the colour orange, are dealt with in a new chapter. In the final part, my experience with the orange colour is presented. I made a picture while listening to the music, Strastra, composed by Aldo Kumar, and named the diptych after it, because its colour is orange.
Secondary keywords:	art;light;colour;orange colour;orange colour symbolism;pigments.;
URN:	URN:SI:UM:
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages:	105 f.
Keywords (UDC):	the arts;recreation;entertainment;sport;umetnost;razvedrilo;zabava;šport;plastic arts;likovna umetnost (kiparstvo in umetna obrt);
ID:	8761745