Fotopostopek v grafiki

cianotipija

Tina Jakopič (Author), Črtomir Frelih (Mentor), Beatriz Tomšič-Čerkez (Co-mentor)

Abstract

V diplomskem delu odkrivam staro fotografsko tehniko, ki se zaradi svoje značilne modre barve imenuje cianotipija in je zaradi istega razloga že v svojih začetkih skorajda potonila v pozabo. Za začetek se sprehodim skozi zgodovino fotografije, predstavim nekaj najpomembnejših odkritij in tehnik, ki so pripeljale do fotografije, kot jo poznamo danes. Nato se osredotočim na samo cianotipijo, njenega izumitelja ter najvidnejšo umetnico, ki je tehniko uporabila pri svojem obširnem delu. Sledijo tehnične podrobnosti cianotipije in na koncu teoretičnega dela še po korakih opisan postopek izdelave cianotipije. V likovno – praktične delu predstavim svoj avtoportret v tehniki fotograma, na koncu pa sledi še likovno – pedagoški del, v katerem sem zasnovala učno pripravo za izdelavo cianotipije pri pouku likovne vzgoje v osnovni šoli.

Keywords

fotogram;

Data

Language:	Slovenian
Year of publishing:	2015
Typology:	2.11 - Undergraduate Thesis
Organization:	UL PF - Faculty of Law
Publisher:	[T. Jakopič]
UDC:	76(043.2)
COBISS:	10711625
Views:	1815
Downloads:	332
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Photo process in graphic – cyanotype
Secondary abstract:	In my thesis, I explore an old photographic technique, best known for its distinctive blue color, which earned it the name cyanotype and also caused it to mostly sink into oblivion at the very beginning of its existence. In the beginning of my work, I make a brief survey of the history of photography, where I introduce some of the most important discoveries and techniques that brought photography to what it is today. What follows is mostly a presentation of the cyanotype technique itself, starting with the inventor of the technique and its most noticeable artist, who widely used the technique in most of her extensive work. I continue with some technical details of cyanotype and the systematic process of manufacturing such art at the end of the theoretical part. In the practical-art part, I show the exhibition of my work in the photogram technique. I conclude my thesis with the pedagogical-art part, as an example of how to include the cyanotype technique in elementary schools as a special part of art classes.
Secondary keywords:	photography;graphic arts;fotografija;grafika;
File type:	application/pdf
Type (COBISS):	Bachelor thesis/paper
Thesis comment:	Univ. Ljubljana, Pedagoška fak., Likovna pedagogika
Pages:	38 str.
ID:	9055551