Sodobna risba

diplomsko delo

Ana Kotar Škarjak (Author), Črtomir Frelih (Mentor), Uršula Podobnik (Co-mentor)

Abstract

Kaj je danes definirano kot risba? Linijo pripisujemo risbi in jo hkrati vidimo v drugih umetniških smereh, kar me je pripeljalo do vprašanja, kje je risba danes? Risba je bila do dvajsetega stoletja le osnova za sliko ali kip, danes pa na razstavah sodobnih risb videvamo tudi kolaže, kipe, slike in performans. Namen diplomskega dela je poskusiti razumeti in razložiti razvoj risbe v času sodobne umetnosti. V teoretičnem delu diplomske naloge bom razložila osnovne risarske pojme, ki delujejo kot osnova za razumevanje kompleksnih umetniških del, ki sledijo. Razvoju risbe bom sledila od modernizma do sodobne umetnosti in s tem poskusila razložiti proces nastajanja. Margaret Davidson v uvodu knjige Contemporary Drawing: Key Concepts and Techniques (2011) piše o tem, da se je risba spremenila, kar lahko opazi že hiter in površen pogled. Sodobna risba je postala svoja smer in ni več le priprava za sliko ali kip. Naloga vsebuje tudi praktični del, ki vsebuje lastna raziskovanja in spoznanja, ter področje pedagoške prakse, ki vključuje učno pripravo, reprodukcije del ter analizo.

Keywords

risba;sodobna umetnost;linija;točka;površina;prostor;

Data

Language:	Slovenian
Year of publishing:	2015
Typology:	2.11 - Undergraduate Thesis
Organization:	UL PEF - Faculty of Education
Publisher:	[A. Kotar Škarjak]
UDC:	7.02(043.2)
COBISS:	10719561
Views:	854
Downloads:	144
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Contemporary drawing
Secondary abstract:	What is defined as drawing today? Line is an attribute of drawing but at the same time we see it in all the other genres, which also brings me to a question where is drawing today? Until the 20th century drawing only existed as a preparation for either a painting or sculpture but today we can see collages, sculptures, paintings and even performance art when we visit contemporary drawing exhibitions. The intention of my Bachelor Thesis is to try to understand and explain the development of drawing and its current position in contemporary art . In the theoretical part I will explain the basic elements of drawing, that will later function as a platform for understanding complex artworks and try to explain the process of becoming through following the development of drawing from modernism to contemporary art. Margret Davidson said, in the introduction to her book Contemporary Drawing: Key concepts and Techniques (2011), that drawing has in fact changed and that anyone could notice it even at a cursory glance. Drawing has become an autonomous practice, and does not exist solely as a sketch anymore. My Bachelor Thesis also contains the practical part, that consists of my personal explorations into the subject as well as realizations, and documentations of my pedagogical practice.
Secondary keywords:	art;umetnost;
File type:	application/pdf
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. Ljubljana, Pedagoška fak., Likovna pedagogika
Pages:	80 str.
ID:	9055578