Voda kot motiv v slikarstvu

diplomsko delo

Janja Jozelj (Author), Janez Balažic (Mentor)

Abstract

Diplomska naloga je zastavljena na podlagi teoretičnega obravnavanja vode kot motiva v slikarstvu. Element vode se je kot motiv v slikarstvu skozi različna obdobja v zgodovini izražal v različnih pojavnih oblikah s svojskimi, raznoterimi pomenskimi razsežnostmi. V začetku diplomskega dela sem obravnavala, kako so vodo upodabljali znakovno, kot simbol, zlagoma pa so njene podobe kreirali skladno z mimesisom. Povzela sem razvoj od žanrsko pestrih podob marinistov 17. in 18. stoletja, preko realizma do modernizma. Orisala sem problemski sklop, ki predstavlja pomenske, ikonografsko-ikonološke premene, torej kako so ta pojav upodabljali dobesedno, metaforično, simbolično in alegorično. Skozi vsa poglavja sem tako ugotavljala, kako se je spreminjal odnos slikarjev do upodabljanja motivike vode. V začetku sem ugotovila, da je voda kot motiv bila najprej upodobljena v prenesenem pomenu, kot poosebitve v podobi mitoloških bogov, raznih božanstev, nimf; v krščanstvu pa se je mnogokrat pojavljal motiv krsta, npr. Krst v Jordanu. Kasneje se je odnos do tega motiva začel spreminjati in je tako voda postala upodobljena vse bolj realistično ter kot materialna življenjsko pomembna dobrina. Ko so slikarji prešli iz obdobij mitološke in krščanske motivike, je moč opaziti ogromne spremembe v napredku slikarstva. Marinisti 17. stoletja in pozneje so tako dajali velik poudarek prepoznavnosti ladjevja in moči pomorskih bitk, kar je od njih zahtevalo ogromno natančnosti in detajlov. Tako so realisti upodabljali vsako podrobnost z izredno natančnostjo, kar je v slikarstvo prineslo velik napredek in spoštovanje le-temu. Impresionisti pa so se s svojim slogom sprostili in želeli na slikarska platna ujeti trenutek. To jim je dopuščal njihov slog hitrih potez in gostih nanosov barv. Tako je sčasoma impresionizem postajal podlaga za moderno umetnost, a ta je doživljala ogromno očitkov in zavračanja. Človeštvo ni razumelo %črt in pack%, v katerih so slikarji videli globlji pomen. V današnjem času pa smo postali bolj dojemljivi do moderne in sodobne umetnosti, ki jo tudi bolje razumemo.

Keywords

diplomska dela;voda;motivi;simboli;marinisti;impresionizem;modernizem;mitologija;krščanstvo;

Data

Language:	Slovenian
Year of publishing:	2015
Typology:	2.11 - Undergraduate Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[J. Jozelj]
UDC:	75.049:7.036(043.2)
COBISS:	21791496
Views:	1997
Downloads:	200
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	WATER AS A MOTIF IN PAINTING
Secondary abstract:	The diploma thesis is conceived on the basis of the theoretical treatment of water as a motif in painting. The element of water as a motif in painting was expressed through different periods in history in various forms with peculiar, different technical semantic dimensions. At the beginning of the thesis I discussed how the water was symbolically depicted as a symbol, but gradually its images were created in accordance with mimesisom. I summarized the development of wide and diverse images of marinists from 17th and 18th centuries, through realism, to modernism. I outlined the problem set that represents semantic, iconographic-ikonološke turnovers, therefore, how this phenomenon is depicted literally, metaphorically, symbolically and allegorically. Throughout all chapters, I also observed how the painters% attitude was changing in depicting motifs of water. At the beginning, I found out that the water motif was first depicted figuratively, in the form of mythological gods, various deities, nymphs; in Christianity, however, has often appeared the motif of baptism. Later, the attitude to this subject began to change and water was presented more and more realistically, as vital goods for living. When the painters moved from periods of mythological and Christian motifs, it is possible to see a huge change in the progress of painting. Marinists strongly focused on the visibility and power of the fleet naval battles, which required a great deal of precision and details. Thus, realists depicted every detail with remarkable accuracy and that brought great progress and respect to the painting. The Impressionists relaxed with their style and they wanted to capture the moment on the canvases. Their style of quick moves and thick coatings allowed them such expressions. Thus, over time, Impressionism became the basis for modern art, which experienced tremendous objections and rejection. People did not understand "lines and stains" in which artists saw deeper meaning. Nowadays, we became more receptive to modern and contemporary art, which is also better understood.
Secondary keywords:	theses;water;motifs;symbols;marinists;impressionism;modernism;mythology;Christianity;
URN:	URN:SI:UM:
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages:	81 f.
ID:	9057355