Peirceova teorija raziskave kot poetološki model

primer literarnega realizma

Abstract

Članek predstavi filozofijo Charlesa Sandersa Peircea kot most med področjema t. i. eksaktnih znanosti ter humanistike in umetnosti. S pomočjo Hansa Vilmarja Gepperta in njegove teorije literarnega realizma, tj. njegove peirceovske "realistične semiotike", članek odkrije znanstveno metodologijo pod krinko poetološkega vzorca. Geppertova uporaba semiotike pri raziskavah literarnega realizma in komunikacije nasploh ponuja dva izvirna uvida: poleg ponovnega ovrednotenja historičnega realizma 19. stoletja vzpostavlja Peirceova teorija raziskovanja kot pragmaticistični odgovor na neposredno soočenje s krizo komunikacije živ poetološki model, uporaben tudi za današnje umetnosti. Dialog med znanostmi ter humanistiko in umetnostmi tako postane spet mogoč.

Keywords

umetnost in znanost;humanistika;semiotika;realizem;Peirce;Charles Sanders;1839-1914;

Data

Language:	Slovenian
Year of publishing:	2012
Typology:	1.01 - Original Scientific Article
Organization:	UNG - University of Nova Gorica
Publisher:	Slovensko društvo za primerjalno književnost
UDC:	82.0:001.3
COBISS:	49711970
ISSN:	0351-1189
Views:	4670
Downloads:	39
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Peirce's theory of inquiry as a poetological model
Secondary abstract:	The article presents the philosophy of Charles Sanders Peirce as a bridge between the so-called hard sciences, on the one hand, and the humanities and the arts, on the other. By following Hans Vilmar Geppert's theory of literary realism, that is, his Peircean 'realist semiotics', a scientific methodology can be traced in a poetological model. Geppert's application of semiotics to literary realism and to general issues of communication offers two original insights: besides re-evaluating the historical realism of the nineteenth century, his theory of inquiry as the pragmaticist response to an immediate communicative crisis proposes a viable poetological model for today's artistic needs as well, thereby making the dialogue between science and the humanities or arts possible once again.
Secondary keywords:	art and science;humanities;semiotics;realism;
URN:	URN:NBN:SI
Type (COBISS):	Not categorized
Pages:	str. 83-93, 225-236
Volume:	ǂLetn. ǂ35
Issue:	ǂšt. ǂ2
Chronology:	avg. 2012
ID:	9090866