Natalia Kaloh Vid (Author)

Abstract

Članek uvodoma začrta filozofsko-zgodovinsko stališče Mihaila Afanasjeviča Bulgakova, v nadaljevanju pa se osredotoči na analizo apokaliptičnega konteksta kot ozadja v Bulgakovovem prvem romanu Bela Garda, ki opisuje dogodke državljanske vojne v letih 1918/1919. V romanu je moč opaziti številne aluzije in navedke iz Razodetja, ki opozarjajo na posebni pomen apokaliptične zgodbe v Bulgakovovi ustvarjalnosti.

Keywords

ruska književnost;zgodovinski roman;apokalipsa;intertekstualnost;ne zaključna dela;

Data

Language: Slovenian
Year of publishing:
Typology: 1.01 - Original Scientific Article
Organization: UM FF - Faculty of Arts
UDC: 821.161.1.09
COBISS: 20033800 Link will open in a new window
ISSN: 0351-1189
Parent publication: Primerjalna književnost
Views: 2661
Downloads: 30
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Other data

Secondary language: English
Secondary abstract: The article focuses on the analysis of apocalyptic context in Mikhail Bulgakov's first novel The White Guard, which depicts the period of the Civil War in 1918-1919 in Ukraine and follows the destiny of one family in the chaotic time of war, destruction and downfall of the old regime. In the novel Bulgakov alludes to The Book of Revelation by using numerous intertextual figures. Current analysis shows prevailing intertextual figures, explains their functions, and highlights the context in which they appear in Bulgakov's narrative.
Secondary keywords: Russian literature;novels;revelation;intertextuality;Bulgakov;Mihail Afanasjevič;1891-1940;Ruska književnost;Zgodovinski romani;Konec sveta (krščanstvo);Medbesedilnost;
URN: URN:NBN:SI
Type (COBISS): Article
Pages: str. 217-232, [310]
Volume: ǂLetn. ǂ36
Issue: ǂšt. ǂ1
Chronology: 2013
ID: 9100718