Lik terorista v Zolajevem romanu Germinal

diplomsko delo

Lucija Mlakar (Author), Darja Pavlič (Mentor)

Abstract

Diplomsko delo se osredotoča na analizo lika terorista v romanu Germinal avtorja Émila Zolaja in na primerjavo likov teroristov v svetovni književnosti 19. stoletja. Émile Zola je francoski naturalistični pisatelj, oče naturalizma. Snov v njegovih romanih je bila za družbo 19. stoletja včasih popolnoma nesprejemljiva, zato je vedno znova razburil javnost. Bralci pa so navkljub temu iz radovednosti njegove knjige kupovali in se zgražali ob opisih v njih. Njegovo najpomembnejše in hkrati najobsežnejše delo je cikel dvajsetih romanov o rodbini Rougon-Macquartovih. Cikel, v katerega sodi tudi roman Germinal, na osnovni dednostne teorije prikazuje razvoj in razkroj številne družine in zgodovino takratne vladajoče družbe. Namen diplomske naloge je bil, da v romanu Germinal potrdim tezo, da je Émile Zola liku terorista v romanu dodal novo dimenzijo, ki je spremenila odnos sveta do njega. Iz podrobne analize lika terorista je razvidno, da je dal pisatelj liku terorista pozitivno oznako, kar je v nasprotnem pričakovanju z današnjo oznako tega tipa osebnosti. Vse teorije o teroristih namreč poudarjajo njihove negativne značilnosti in lastnosti. Z analizo in primerjavo likov teroristov svetovne književnosti v 19. stoletju je bilo ugotovljeno, da ne obstaja enotna stereotipna podoba terorista, temveč je ta odvisna predvsem od osebnih stališč, mnenj in poimenovanj pisateljev. Roman Germinal poleg pojava lika terorista prikazuje vse tri determinante naturalizma. Iz analize jezika in karakterizacije oseb je bilo ugotovljeno, da je v ospredju romana kolektivizem in ne individualizem. Je eksperimentalni roman, ki prikazuje fizično in fiziološko življenje rudarjev. V romanu prevladuje pripoved o zavesti lika, saj v romanu nastopa vsevedni pripovedovalec, ki včasih prehaja v personalnega.

Keywords

diplomska dela;literarni lik - terorist;tematologija - terorizem;kolektivizem;eksperimentalni roman;naturalizem;Zola;Émile;1840-1902;

Data

Language:	Slovenian
Year of publishing:	2016
Typology:	2.11 - Undergraduate Thesis
Organization:	UM FF - Faculty of Arts
Publisher:	[L. Mlakar]
UDC:	821.133.1.09(043.2)
COBISS:	22298120
Views:	1461
Downloads:	72
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	THE FIGURE OF THE TERRORIST IN THE NOVEL GERMINAL BY ÉMILE ZOLA
Secondary abstract:	In my diploma thesis I analysed the character of a terrorist in Émile Zola's novel Germinal and I also compared some terrorist characters in the 19th century world literature. Émile Zola was a French author, the best-known practitioner of the literary school of naturalism. As the subject of his novels was often completely unacceptable for the 19th century society, he frequently shocked the public. However, the readership continued buying his books and frowning upon the descriptions in them. Germinal is a novel in his most significant and lengthy, twenty-volume series about the Rougon-Macquart family. The novels portray the development and disintegration of a large family and the history of the then governing society on the basis of Zola's genetic theories. My aim was to support the thesis that in Germinal, Émile Zola added a new dimension to a terrorist character, which changed the world's attitude towards it. A detailed analysis of the terrorist character has revealed that the author labelled it as positive, which differs greatly from today's opinion. Nowadays, all the theories of terrorists emphasize their negative characteristics and qualities. The analysis and comparison of terrorists in the 19th century world literature have shown that there is no unified stereotypical image of the terrorist, which obviously depends on the author's personal opinion and conception. The novel Germinal portrays not only the terrorist character, but it also shows all three characteristics of naturalism. The analyses of language and characters have revealed that collectivism and not individualism is predominant. It is an experimental novel, portraying physical and physiological life of coal miners. Throughout the novel the stream of the character's consciousness prevails, as the narrator is omniscient, occasionally becoming a first-person narrator.
Secondary keywords:	theses;terrorist;terrorism;naturalism;experimental novel;collectivism;
URN:	URN:SI:UM:
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Mariboru, Filozofska fak., Oddelek za slovanske jezike in književnosti
Pages:	115 f.
ID:	9143334