Koraki do sodobne risbe

diplomsko delo

Gregor Pečolar (Author), Polona Vidmar (Mentor), Petra Varl (Co-mentor)

Abstract

V diplomskem delu sem zanimanje posvetil predvsem risbi in v njem predstavil postopen razvoj risbe skozi zgodovino likovne umetnosti. Celota je razdeljena na teoretičen in praktičen del. V obširnejšem teoretičnem delu diplome je opisan pojem risbe, njene zvrsti, risarske prvine, tehnike in risalna sredstva, saj so umetniki z različnimi kombinacijami teh likovnih elementov oz. prvin skozi zgodovino razvili zelo široko paleto izraznih možnosti v različnih zvrsteh risbe. Ker pa je karakter risbe odvisen predvsem tudi od tehnike ter risalnih sredstev, ki jih uporabljamo za izvedbo nastale umetnine, so v tem delu ti tudi posamezno opisani. V nadaljevanju, sledi po pomembnih umetnostnozgodovinskih obdobjih, razčlenjena pot razvoja risbe. Skozi dela pomembnih avtorjev so predstavljene kvalitete v risbi in njen pomen v posameznih obdobjih od prazgodovine do danes. Zaradi različnih pristopov umetnikov je risba predvsem deljena na risbo kot osnutek in risbo kot samostojno zaključeno delo oz. celoto. Predstavljeno je tudi, kako je osnutek v risbi pomemben za kvaliteto končnega izdeleka, ter kdaj je risba sama končni izdelek urejen kot celota predvsem v sodobni risbi. Za konec pa so v zadnjem tretjem oz. praktičnem delu opisana še lastna avtorska dela v povezavi s sodobno risbo, ki sem jih izvedel tekom študija. Predstavljeni so likovni dogodki, kjer je risba bistven gradnik in tudi nosilec sporočila nastale instalacije. V zadnjem dogodku z naslovom "Barvitost mesta" pa sem želel predvsem prikazati, da je v življenju ljudi risba prisotna povsod, kamor nas vodi tudi tema diplomskega dela.

Keywords

diplomska dela;risba;osnutek;risalna sredstva;sodobna risba;

Data

Language:	Slovenian
Year of publishing:	2016
Typology:	2.11 - Undergraduate Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[G. Pečolar]
UDC:	741.02(043.2)
COBISS:	22359048
Views:	790
Downloads:	87
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	THE STEPS TOWARDS THE CONTEMPORARY ART DRAWING
Secondary abstract:	In the diploma work I directed the focus towards the drawing and presented the gradual developments of drawings through the history of art. As a whole the work is divided into a theoretical and practical part. In the broader theoretical part we find the concept of the drawing as a definition, its variations, techniques and drawing tools. The artists throughout history have developed a very broad pallet of drawing techniques through different combinations and artistic elements. As the characteristics of the drawing also depend on the technique and the drawing resources which are used in the development of the created artwork these are also closely described in this part of the dissertation. The text moves on to important historical periods of art in terms of the drawing. Drawing qualities and historical characteristics are presented through the well known works of important authors from the beginnings to the modern day. Due to the different approaches of individual artists the drawings are divided mostly into drafts and drawings as complete wholes. It is also debated how important the drafts are for the final artwork quality and when the drawing reaches its complete wholeness, mostly in contemporary drawings. To conclude the third practical part of the paper describes my own practical works in relations to the contemporary drawing which were created throughout the school years. They are presented in the form of artistic events where the drawing is the basic element and foundation of the installation message. In the final event titled ''Colourfulness of the city'' I wanted to point out that the drawing is always present in everyday life, which is also the conclusion of the diploma work.
Secondary keywords:	theses;drawing;draft;drawing materials;contemporary drawing;
URN:	URN:SI:UM:
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages:	82 f.
ID:	9149828