diplomsko delo
Aleš Vodopivec (Author), Tomaž Svete (Mentor)

Abstract

Pričujoče diplomsko delo podaja pregled osnovnih in specifičnih značilnosti elektroakustične glasbe in zgodovine snemalne tehnike. Zgodovinski prerez zajema tako nove iznajdbe na področju snemalne tehnologije kot njeno uveljavljanje in uporabo pri komponiranju elektroakustične glasbe skozi 20. stoletje. Diplomsko delo je razdeljeno na štiri zgodovinska obdobja, ki so bila zaznamovana tako s strani tehnološkega razvoja kot tudi z vidika elektroakustične glasbe. Poleg pomembnih skladateljev elektroakustične glasbe so v delu predstavljena tudi njihova pomembna dela, ki so zaznamovala glasbeno zgodovino. Da je avtor lahko prišel do odgovorov na zastavljena raziskovalna vprašanja, je v teoretičnem diplomskem delu uporabil več različnih raziskovalnih metod.

Keywords

elektroakustična glasba;snemanje;konkretna glasba;elektronska glasba;gramofon;magnetni trak;diktafon;digitalno snemanje;magnetofon;diplomska dela;

Data

Language: Slovenian
Year of publishing:
Typology: 2.11 - Undergraduate Thesis
Organization: UM PEF - Faculty of Education
Publisher: [A. Vodopivec]
UDC: 781.1:681.84(091)(043.2)
COBISS: 22558216 Link will open in a new window
Views: 1222
Downloads: 108
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Other data

Secondary language: English
Secondary title: THE HISTORY OF RECORDING TECHNIQUES THROUGH THE DEVELOPMENT OF ELECTEROACUSTIC MUSIC
Secondary abstract: The diploma thesis delivers an overview of basic and specific characteristics of the electroacoustic music and the history of recording techniques. Historical cross section deals with new inventions in the field of recording technology, implementation of recording technology itself, and its usage in composing electroacoustic music throughout the 20th century. The thesis is divided into four parts according to historical periods which were influenced by technological development and electro-acoustic music. In addition to presentation of important composers of electroacoustic music, their major works are presented as well. In order to answer the research questions, the author used several different research methods.
Secondary keywords: electroacoustic music;recording;concrete music;electronic music;phonograph;magnetic tape;digital recording;tape recorder;theses;
Type (COBISS): Undergraduate thesis
Thesis comment: Univ. v Mariboru, Pedagoška fak., Oddelek za glasbo
Pages: 64 f.
ID: 9154343