Kompozicija, likovna artikulacija in formalna likovna analiza

diplomsko delo

Nika Vižintin (Author), Oto Rimele (Mentor)

Abstract

V diplomskem delu z naslovom Kompozicija, likovna artikulacija in likovna formalna analiza je obravnavana tema kompozicije v likovni umetnosti, preučitev uporabe kompozicijskih načel v likovnih delih, osnovno razumevanje likovnega jezika ter metodologija oblikovne analize likovnih del. Namen je bil tudi raziskati in dopolniti strategije doseganja kompozicije v lastnem praktičnem delu ter oblikovati iztočnice za nadaljnjo ustvarjanje. Poskušala sem odkriti specifično pravilo za vsebinsko ustrezno kompozicijo ter ugotoviti potek kodiranja likovnega dela. V praktičnem delu predstavim avtorska dela, ki se nanašajo na temo komponiranja - pospremljena so z opisom miselnega procesa in formalne likovne analize lastnih likovnih del. Analiza lastnih del pokaže zanimive rezultate, ki so opisani v sklepnem delu. Raziskovalna hipoteza je bila v teku raziskave potrjena, vendar razširjena.

Keywords

diplomska dela;kompozicija;likovna artikulacija;likovne prvine;likovne spremenljivke;format;kompozicijski principi;formalna likovna analiza;

Data

Language:	Slovenian
Year of publishing:	2016
Typology:	2.11 - Undergraduate Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[N. Vižintin]
UDC:	7.01(043.2)
COBISS:	22440712
Views:	3722
Downloads:	653
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Composition, articulation and formal analysis of fine arts
Secondary abstract:	The diploma thesis, entitled Composition, Articulation and Formal Analysis of Fine Arts, deals with composition in fine arts, studies the usage of composition principles in works of art, gives a basic understanding of visual language and a methodology of formal analysis of works of art. Moreover, my aim was to examine and supplement the strategies for achieving composition in my own practical work, too, and to develop the basis for further creative growth. I tried to discover a specific rule for a content fitting composition and to determine the coding line of a work of art. In the practical part I introduce works which refer to the topic of composition. They are accompanied by a description of the cognitive process and of the formal analysis of fine arts of my own works of art. The latter has produced interesting results which are described in the final part of my thesis. During the study, the research hypothesis has been confirmed and even expanded.
Secondary keywords:	theses;composition;articulation;elements of art;plastic variables;format;composition principle;formal analysis offine arts;
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages:	101 f.
ID:	9154728