Kiparska instalacija v prostoru

diplomsko delo

Nika Arnuš (Author), Dušan Zidar (Mentor)

Abstract

Diplomsko delo 'Kiparska instalacija v prostoru' odkriva situacije umetniške instalacije in izhodiščne motive pojava žanra, pri čemer izpostavlja sestavne komponente instalacije in razmerja med njimi, ki ustvarjajo nove kontekste prostorov. Na pojavnost oblik instalacije so vplivali mnogi dejavniki, ki so pripeljali do večjega poudarka na participatornosti gledalca, kar je sčasoma postal ključni element vsebine instalacijskih umetniških del. V prvem delu diplomske naloge je opredeljeno področje umetniške instalacije in pojavnost razporejanja 'tridimenzionalnih' sestavnih delov po prostoru, kar gledalec - prav tako kot sestavni del instalacije - neposredno izkuša z vsemi svojimi čuti. Umetnostna teoretičarka Claire Bishop zgodovinski razvoj instalacije razlaga glede na tip izkušnje, ki ga umetniško delo ustvari za gledalca. Predstavitev njene analize je v tej diplomski nalogi prikazana tudi s konkretnimi primeri instalacijskih umetniških del. Poglavje 'site-specific' art govori o različnih interpretacijah prostora, kar predstavlja enega od ključnih konceptov v umetniški instalaciji. Lokacijsko vezana umetnost obravnava prizorišče kot element platforme umetniške instalacije, torej kot realen prostor. Lokacijsko specifična umetnost, ki se je pojavila kot odziv na kapitalizem in institucionalno umetnost, ima pri razvoju instalacije pomembno vlogo zaradi spremembe kontekstov prostora, zato so v tem poglavju obravnavani tudi umetniški pristopi do urbanih in javnih prostorov. V slovenskem kontekstu se instalacija pojavlja v manjšem obsegu tako na notranjih kot zunanjih prizoriščih. Strategije slovenskih umetnikov v žanru instalacije so predvsem dekonstrukcija objekta, razširitev umetniškega dela na prostor in nato na situacijo. Na koncu diplomske naloge je raziskana narava izkušanja situacij, ki jih instalacija strukturira za gledalca. Situacije čutne potopitve, razsrediščenje gledalca in socialne komponente instalacije, igre umetnikov in metode interakcij so pristopi, ki zasedajo ključne aspekte pri postavljanju estetske sodbe instalacijskih del.

Keywords

diplomska dela;instalacija;lokacijsko specifična umetnost;kritika institucije;konteksti prostora;participatorne prakse;neposredna izkušnja gledalca;aktivirano gledanje;razsrediščenje subjekta;interakcija;

Data

Language:	Slovenian
Year of publishing:	2016
Typology:	2.11 - Undergraduate Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[N. Arnuš]
UDC:	730(043.2)
COBISS:	22541320
Views:	1853
Downloads:	350
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Sculptural Installation in Space
Secondary abstract:	This diploma thesis with the title Sculptural Installation in Space is intended to reveal various situations of the artistic form of installation and initial motives for the emergence of the genre, its constituent components, creating new contexts of space by establishing relationships between themselves. The respective thesis focuses on research of changes and impacts that modified the occurrence of installation forms throughout their development with an emphasis on participation of the spectator being a key element of the content of installations. The first part of the thesis provides a definition of the occurrence of the area of art installations and arrangement of their constituent 'three-dimensional' components in space, which are experienced by the spectators as integral parts of the situation with all their senses directly. Examples of installations are used to present the historical development of installations based on the analysis by C. Bishop who classified installations according to the type of experience created for the spectator by the respective art work. The chapter on the 'site-specific art' is about different interpretations of space, which is one of the key concepts in art installations. Site-specific art is focused on the scene as an element of the art installation platform, ie as a real space. Site-specific art, which has emerged as a response to capitalism and institutional art, plays an important role in the development of installations through changes in the context of space. This chapter also considers artistic approaches to urban and public spaces. In order to make a comparison, Chapter 7 studies the installation in the Slovenian context, which occurs to a lesser extent on both internal and external venues. Deconstruction of a building, extension of a work of art into space, and then into the situation are strategies applied by the artists to create in the Slovenian area as well. Finally, the thesis explores the nature of experiencing situations structured for the spectator by the installation. Situations of sensual immersion, decentralisation of the spectator and social components of the installation, artists' plays and interaction methods are the approaches covering key aspects in making aesthetic judgment of installations.
Secondary keywords:	theses;installation art;site specific art;institutional critique;contexts of space;participatory practices;direct experience of the viewer;activated spectatorship;decentring of the viewer;interaction;
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages:	139 f.
ID:	9154754