Umetnost v času realsocializma v slovenskem slikarstvu

magistrsko delo

Katja Grašič (Author), Janez Balažic (Mentor)

Abstract

Ideja socialističnega realizma se je izoblikovala v Sovjetski zvezi, in sicer na prvem zveznem kongresu sovjetskih pisateljev. Doktrino socialističnega realizma je leta 1934 razglasil Ždarov. V slovenskem prostoru se tovrstne težnje pojavijo v tridesetih letih 19. stoletja, vendar nikoli kot zavezujoča doktrina, temveč zgolj kot predlog delovanja umetnikov. Spremembe po socialistični preobrazbi so ustvarile tudi nove pogoje za kulturne dejavnosti. Socialistična načela družbene ureditve pospešijo razvoj ljudske kulturne ustvarjalnosti, umetnost postaja manj privilegij bogatašev, bolj se približuje ljudskim množicam, saj je vsebina tesno povezana z ljudskim življenjem. Kultura vedno bolj pridobiva politično vlogo. Realsocializem v slovenskem prostoru označuje zelo širok razpon del, sega od monumentalnih kompozicij, herojskih figur pa vse do skoraj intimističnih del. Viri del niso bili zgolj socialistični, ampak so slovenski umetniki kombinirali tudi svojo lastno umetniško tradicijo, predvojno umetnost. Obdobje socialističnega realizma v Jugoslaviji se polagoma končuje s sporom Jugoslavije in Sovjetske zveze v začetku petdesetih let 19. stoletja. Umetnostni prostor se počasi liberalizira in pojavi se zasuk k modernizmu.

Keywords

magistrska dela;socialistični realizem;slikarstvo;Jugoslavija;ideologija;Slovenija;povojno obdobje;druga svetovna vojna;socializem;20.st.;

Data

Language:	Slovenian
Year of publishing:	2017
Typology:	2.09 - Master's Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[K. Grašič]
UDC:	75:32(497.4)"19"(043.2)
COBISS:	23182344
Views:	1664
Downloads:	181
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Art during Realsocialism in Slovenian painting
Secondary abstract:	The idea of social realism was formed in the Soviet Union, namely at the first federal congress of Soviet writers. The doctrine of social realism was declared by Ždarov in 1934. In the Slovenian space, such tendencies appeared in the thirties of the 19th century, never as a bounding doctrine, but only as a proposal for the operations of artists. Changes after the socialist transformation also created new conditions for cultural activities. The socialist principles of the social system accelerate the development of cultural creativity of the people, art is becoming less a privilege of the rich, it is increasingly approaching the masses, since the content is closely associated with the folk life. Culture is increasingly gaining a political role. The real socialism in the Slovenian space denotes a very wide range of works, ranging from monumental compositions, heroic figures all the way to almost intimate works. The sources for these works were not only socialistic, since Slovenian artists also combined their own artistic tradition, the pre-war art. The period of socialist realism in Yugoslavia is gradually concluding with the conflict between Yugoslavia and the Soviet Union in the early fifties of the 19th century. The artistic space is being slowly liberalized and a shift towards modernism is appearing.
Secondary keywords:	master theses;socialist realism;painting;Yugoslavia;ideology;Slovenia;post-war period;World War II;socialism;20th century;Univerzitetna in visokošolska dela;
URN:	URN:SI:UM:
Type (COBISS):	Master's thesis/paper
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages:	74 f.
ID:	9610014