Abstract

Članek obravnava zgodovinsko-filozofsko videnje Mihaila Bulgakova v drami Beg, posvečeni državljanski vojni. Avtorica ugotavlja, da pisateljevo ustvarjalno misel opredeljuje apokaliptično dojemanje stvarnosti. Siže drame Bulgakov vzpostavi kot projekcijo Janezovega razodetja in se v tekstu večkrat sklicuje na apokaliptično prerokbo. Zgodovinska apokalipsa v drami predpostavlja razpad starega sveta, ki ga zaznamujejo izguba domovine, izguba lastne identitete, oskrunitev vseh starih idealov in izmaličenje človeške podobe.

Keywords

ruska književnost;drama;apokalipsa;aluzija;ne zaključna dela;

Data

Language: Slovenian
Year of publishing:
Typology: 1.01 - Original Scientific Article
Organization: UM FF - Faculty of Arts
UDC: 821.161.1.09
COBISS: 20033544 Link will open in a new window
ISSN: 1855-6302
Parent publication: Slavia Centralis
Views: 1499
Downloads: 419
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Other data

Secondary language: English
Secondary title: Apocalyptic comprehension of reality in Mikhail Bulgakov's drama Flight
Secondary abstract: The article analyzes the historical and philosophical position of Mikhail Bulgakov as reflected in the drama Beg, which depicts the last days of the civil war in Russia. The author states that Bulgakov's creative vision is influenced by apocalyptic thinking. The drama is based on Revelation and includes numerous allusions to the apocalyptic prophecy. As a result of the historical apocalypse, the norms of the previous life are destructed. The destruction of the old world is signified by loss of homeland and identity as well as by the destruction of the human soul.
Secondary keywords: Russian literature;drama;revelation;allusion;Bulgakov;Mihail Afanasjevič;1891-1940;Ruska književnost;Drame;Konec sveta (krščanstvo);Aluzija;
URN: URN:SI:UM:
Type (COBISS): Article
Pages: str. 86-97
Volume: ǂLetn. ǂ6
Issue: ǂšt. ǂ1
Chronology: 2013
DOI: 10.17161/SCN.1808.11811
ID: 9630648