diplomsko delo
Povzetek
Diplomsko delo obravnava dve postmodernistični deli, ki sta nastali v 80. letih 20. stoletja, Ime rože Umberta Eca in Parfum Patricka Süskinda. Oba romana sta bila s strani bralcev sprejeta tako dobro, da sta bila po njunih predlogah posneta tudi filma, Ime rože pod vodstvom režiserja Jean-Jacquesa Annauda, Parfum pa v režiji Toma Tykwerja. Prvi del diplomske naloge se osredotoča na obdobje postmodernizma, ki je utemeljen na podlagi pomembnih literarnih teoretikov te dobe; predvsem Umberta Eca in Viktorja Žmegača. V drugem delu diplomske naloge sta predstavljena naslovna romana, njune glavne značilnosti ter odzivi nanju s strani kritikov in publike na splošno. Tretji del je namenjen postmodernističnemu filmu kot adaptaciji romana, predstavi pa tudi začetke postmodernizma na televiziji.
Ključne besede
literatura in film;italijanska književnost;nemška književnost;postmoderna;postmodernizem;roman;filmske priredbe;Annaud, Jean-Jacques;Twyker, Tom;diplomsko delo;Eco;Umberto;1932-2016;"Ime rože";Süskind;Patrick;1949-;"Parfum";
Podatki
Jezik: |
Slovenski jezik |
Leto izida: |
2016 |
Tipologija: |
2.11 - Diplomsko delo |
Organizacija: |
UL FF - Filozofska fakulteta |
Založnik: |
[N. Zorn] |
UDK: |
82.091:791.31 |
COBISS: |
61880930
|
Št. ogledov: |
988 |
Št. prenosov: |
410 |
Ocena: |
0 (0 glasov) |
Metapodatki: |
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Ostali podatki
Sekundarni jezik: |
Angleški jezik |
Sekundarni povzetek: |
The thesis deals with two postmodern works that were created in the 80s of the 20th century, the Name of the Rose by Umberto Eco and Perfume by Patrick Suskind. Both novels were by the readers accepted so well that they were made into film, Name of the Rose was directed by Jean-Jacques Annaud, Perfume was directed by Tom Tykwer. The first part of the thesis focuses on the period of postmodernism, which is justified on grounds of major literary theorists of that era; especially Umberto Eco and Viktor Žmegac. In the second part the thesis presents novels itselfs, their main characteristics and response of critics and audience. The third part focuses on a postmodernist film adaptation of the novel, and presents as well as the beginnings of postmodernism on television. |
Vrsta dela (COBISS): |
Diplomsko delo |
Komentar na gradivo: |
Univ. v Ljubljani, Filozofska fak., Oddelek za primerjalno književnost in literarno teorijo |
Strani: |
122 str. |
ID: |
10978763 |