SHE(EP)
Anja Najvirt (Avtor), Metoda Kemperl (Mentor)

Povzetek

V diplomski nalogi sem analizirala sliko z naslovom She(ep), avtorice Tine Dobrajc. Umetnina je nastala leta 2014 in bila v tem letu razstavljena na istoimenski razstavi v Galeriji Ivana Groharja, leto kasneje pa na samostojni razstavi The mother of the world v Galeriji Equrna. Umetnica je leta 2015 prejela Jakopičevo priznanje za mlade umetnike; kljub temu je gradiva o njeni umetnosti malo. V pričujočem delu sem se lotila likovne analize avtoričine slike. S formalno in ikonografsko analizo sem opredelila snov, obliko in pomen posameznih elementov, ki jih je umetnica upodobila na sliki. V ikonološki oz. kontekstualni analizi sem vsebinske elemente umestila v širše zgodovinsko in družbeno-kulturno dogajanje. Slikarka v svojih delih govori o družbenih strukturah, ki krojijo svet, kot ga poznamo. Aktualne teme prepleta s tradicionalnimi emblemi, simboli in tako vzpostavlja svojevrsten odnos do družbene preteklosti in sedanjosti. Podoba na sliki She(ep) se v povezavi s krščansko simboliko, avbo, cvetlicami in rdečim tokom ukvarja z družbenimi stališči, ki vplivajo na posameznika, ter izpostavlja relacijo družbeno – naravno. Vsebina slike problematizira omadeževano preteklost in vprašuje trenutna družbena prepričanja o ženskem mesečnem pojavu, menstruaciji.

Ključne besede

sodobna umetnost;feminizem;narodno v slikarstvu;menstruacija;Pregelj;Marij;1913-1967;

Podatki

Jezik: Slovenski jezik
Leto izida:
Tipologija: 2.11 - Diplomsko delo
Organizacija: UL PEF - Pedagoška fakulteta
Založnik: [A. Najvirt]
UDK: 75(043.2)
COBISS: 28293635 Povezava se bo odprla v novem oknu
Št. ogledov: 403
Št. prenosov: 34
Ocena: 0 (0 glasov)
Metapodatki: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Ostali podatki

Sekundarni jezik: Angleški jezik
Sekundarni naslov: Tina Dobrajc: She(an Epic)
Sekundarni povzetek: An artwork titled She(ep) had been painted by a Slovene painter Tina Dobrajc in 2014. It was exhibited that year at the artists’ solo exhibition in her hometown, Škofja Loka. A year later it appeared in another solo exhibition titled The mother of the world which took place in Ljubljana, at the Equrna gallery. The artist received recognition for her work, the Rihard Jakopič Award is the highest award in the field of fine arts in Slovenia and Dobrajc has been acknowledged as a young artist in 2015. Despite that, not much has been written about the artist and her work, which is why I have chosen the painting for an analysis. This thesis focuses on a thorough research of the motives captured in the painting. Firstly, a formal analysis has been done to specify the form and its physicality. Through an iconographic study I have identified the motives and their meaning. Later on, a context analysis helps understand the in-depth meaning of individual motives and the story of the painting as a whole. The artist is reflecting issues of the modern world into her work. The painting is focusing on social structures that are shaping our everyday life, it is questioning the individual's position in relation to tradition, the society’s past and present. The figure in the painting, combined with symbols of Christ, flowers, the red floral flow and the bonnet, is facing cultural beliefs that are having an impact on the individual. It is questioning the relation of nature and nurture. The content is focused on the tainted history of the women’s cycle, on the cultural perception of menstruation.
Sekundarne ključne besede: painting;slikarstvo;
Vrsta datoteke: application/pdf
Vrsta dela (COBISS): Diplomsko delo/naloga
Komentar na gradivo: Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika
Strani: 36 str.
ID: 12023609
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