Delitev in členjenje od abstraktne oblike proti figuralni obliki

diplomsko delo

Mojca Marinko (Avtor), Roman Makše (Mentor)

Povzetek

V diplomski nalogi sem povezala likovno teorijo, se pravi osnovne elemente in kiparske oblike starih civilizacij in kiparstvo modernizma, katero je črpalo svoje ideje ravno od nje – neevropske stare kulture. Izpostavila sem tri moderniste: Constantina Brancusija, Henryja Moora in Barbaro Hepworth in primerjala nekaj njihovih del z kiparskimi deli starih civilizacij. Skozi svojo interpretacijo sem preko skic in risb iz siporeksa oblikovala pet oblik zarodka – embria, ki si sledijo od preproste abstraktne oblike proti figuralni, jih postavila v različna okolja in jih na koncu zabeležila v obliki fotografije. Oblikovne značilnosti starih civilizacij sem primerjala z kiparskimi deli omenjenih kiparjev in poiskala podobnosti in razlike, na koncu pa sem naredila še primerjavo z mojim lastnim delom. Teorijo in praktični del sem povezala ter jo naslovila z dveh zornih kotov: likovno-teoretičnega in likovno praktičnega. V likovno teoretičnem delu sem na kratko opisala nekaj zgodovine in oblikovnih značilnosti različnih neevropskih starih civilizacij in potegnila vzporednice z kiparstvom modernizma in omenjenimi predstavniki. V likovno praktičnem delu, pa sem poskusila prikazati razvoj abstraktne oblike iz siporeksa v figuralno obliko, ter jih postavila v različna okolja. Na koncu je sledila interpretacija lastnega dela in primerjava z kiparstvom starih civilizacij ter kiparji moderne dobe Brancusija, Moora in Hepworth, od katerih navdih sem črpala tudi sama.

Ključne besede

oblika;siporeks;element;

Podatki

Jezik:	Slovenski jezik
Leto izida:	2021
Tipologija:	2.11 - Diplomsko delo
Organizacija:	UL PEF - Pedagoška fakulteta
Založnik:	[M. Marinko]
UDK:	73(043.2)
COBISS:	78589955
Št. ogledov:	170
Št. prenosov:	8
Ocena:	0 (0 glasov)
Metapodatki:

Ostali podatki

Sekundarni jezik:	Angleški jezik
Sekundarni naslov:	Division and articulation from abstract form to figurative form
Sekundarni povzetek:	In my dissertation, I connected the art theory of basic elements and sculptural forms of ancient civilizations with the sculpture of modernism, which drew its ideas precisely from it - non-European ancient culture. I singled out three modernists: Constantin Brancusi, Henry Moore and Barbara Hepworth, comparing some of their works with the sculptural works of ancient civilizations. Through my interpretation of sketches and drawings, I formed five forms of embryo from siporex. I placed forms, which start from a simple abstract form to a figural one, in different environments and finally recorded them in the form of a photograph. I compared design features of ancient civilizations with the sculptural works of the above mentioned sculptors, looking for similarities and differences and in the end comparing them with my own work. I connected the theory and the practical part and addressed it from two angles: art theory and art practice. In the theoretical part, I briefly described some of the history and design features of various non-European ancient civilizations and drew parallels with the sculpture of modernism and the aforementioned sculptors. In the practical part, I tried to present the development of the abstract form to the figural form, using siporex forms and placing them in different environments. In conclusion I interpreted my own work and I compared it with the sculpture of ancient civilizations and sculptors of the modern era - Brancusi, Moore and Hepworth, from whom I also drew my inspiration.
Sekundarne ključne besede:	Kiparstvo;Likovna umetnost;
Vrsta datoteke:	application/pdf
Vrsta dela (COBISS):	Diplomsko delo/naloga
Komentar na gradivo:	Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika
Strani:	61 str.
ID:	13410971