Povzetek

Prispevek analizira razmerje med spolom in nacionalizmom v primeru transnacionalnih »imperialnih mater«. Pojem imperialne matere opisuje zakonske sopotnice vladarjev večnacionalnih imperijev, ki so hkrati nosilke simbolne reprezentacije političnega telesa in njegove spolne reprodukcije. Študija se osredotoča na tri imperialne matere: dve iz zgodovinske formacije slovenskega naroda – Elizabeto, soprogo Franca Jožefa iz obdobja habsburške monarhije, in Jovanko, soprogo Josipa Broza iz obdobja socialistične federativne Jugoslavije – in Melanio, soprogo ameriškega predsednika in prvo damo ZDA (kot svetovne imperialne sile) iz aktualne zgodovinske situacije postsocialistične nacije. Teoretsko se vprašanje naslanja na feministično teorijo nacionalizma, pri čemer je v ospredju kritično prevrednotenje vprašanja »etnične« komponente reprodukcije nacionalne identitete.

Ključne besede

spol;nacionalizem;feministični vidik;večnacionalni imperiji;sovladarice;zakonske sopotnice;simbolno materinstvo;reprodukcija nacionalne identitete;

Podatki

Jezik: Slovenski jezik
Leto izida:
Tipologija: 1.01 - Izvirni znanstveni članek
Organizacija: UL FF - Filozofska fakulteta
UDK: [316.7:930.85]:305
COBISS: 92754179 Povezava se bo odprla v novem oknu
ISSN: 1318-0185
Št. ogledov: 136
Št. prenosov: 19
Ocena: 0 (0 glasov)
Metapodatki: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Ostali podatki

Sekundarni jezik: Italijanski jezik
Sekundarni naslov: Imperial mothers and Slovene national identity
Sekundarni povzetek: The paper analyses the relation between gender and national identity in the case of transnational “imperial mothers.” The concept of national identity, of course, cannot be applied in periods prior to the emergence of nation states, neither in the historical nor the theoretical sense, as it is related to the period of the emergence of modern political community and its consolidation in the 20th century. But this historical detail is often overlooked from perspectives of contemporary nationalisms; instead, nation and its identity is managed in the sense of a trans-historical formation striving teleologically– from ethnicity through nationality to nation – for its ultimate fulfilment. This historical projection also includes notions of the role of women in the reproduction of the national community: here, too, the idea of female national mission, including the biological, cultural and symbolic reproductions of the collective, are mirrored into the hegemonic model retroactively. The present study looks into “imperial mothers” and analyses the gender imagery surrounding their role of so-called symbolic mothers. It focuses on three imperial mothers: two from the historical formation of the Slovene nation – Elisabeth, the wife of Franz Joseph I from the period of the Hapsburg monarchy, and Jovanka, the spouse of Josip Broz, from the period of the socialist federative republic of Yugoslavia ‒ and Melania, the wife of the American president and First Lady of the USA (as a global imperial power) from the current historical situation of the post-socialist nation. In the latter case, rather than in the historical sense, the notion of empire is used in the sense as developed by political philosophy in current social contexts. The introductory part also focuses on Marie Antoinette as a separate case study. The analysis has shown that all the mentioned symbolic mothers – though foreigners in view of their ethnic origin – were objects of public scrutiny in relation to their representation of female gender suitability and not of cultural and identity conformity. In terms of theory, the issue under consideration relies on a feminist theory of nationalism, with a focus on the critical re-evaluation of the “ethnic” component in relation to the reproduction of national identity.
Sekundarne ključne besede: nationalism;gender;co-rulers;multinational empires;
Strani: str. 389-406
Letnik: ǂLetn. ǂ29
Zvezek: ǂšt. ǂ2
Čas izdaje: 2021
DOI: 10.19233/AH.2021.17
ID: 14316031
Priporočena dela:
, slovenska nacionalna identiteta z glasbene perspektive
, slovenska glasba 20. stoletja