Protispomeniki v kontekstu sodobnih vojnih spomenikov

Povzetek

Ključne besede

Podatki

Jezik:	Slovenski jezik
Leto izida:	2012
Izvor:	Ljubljana
Tipologija:	2.11 - Diplomsko delo
Organizacija:	UL PEF - Pedagoška fakulteta
Založnik:	[K. Bajc]
UDK:	725.954(043.2)
COBISS:	9130825
Št. ogledov:	941
Št. prenosov:	260
Ocena:	0 (0 glasov)
Metapodatki:

Ostali podatki

Sekundarni jezik:	Angleški jezik
Sekundarni naslov:	Antimonumnents in the context of contemporary war memorials
Sekundarni povzetek:	The thesis concentrates on the concept of antimonumnent as a critique of traditional monument, which has been recognized as one of mechanisms of political and social control. The selection of examples in the text is limited to the war memorials and memorials connected with the consequences of war, such as Holocaust, the position of veterans in society, terrorism... Contemporary artists which produce war antimonumnents attempt to modernise the function and therefore also the form of the monument itself. The these is illustrated through examples of work of Jochem in Esther Shalev-Gertz, Horst Hoheisel, Norbert Redermacher and works of architects such as Peter Eiseman, Maya Lin, Michael Arad and others. With the inversion of the monument under ground surface; with reduction to the minimalist form; with creating an atmosphere and space more than the clear narrative; with temporary character of happening and installation; artists try to stress that monument can never replace our own critical relationship to memory. New forms in memorials have their impact on memorials message, which is becoming more and more diffuse and open to personal interpretation and it also influences the ways events re-enter political life.
Sekundarne ključne besede:	fine arts;likovna umetnost;
Vrsta datoteke:	application/pdf
Vrsta dela (COBISS):	Diplomsko delo
Komentar na gradivo:	Univ. Ljubljana, Pedagoška fak., Likovna pedagogika
Strani:	85 f.
Vrsta dela (ePrints):	thesis
Naslov (ePrints):	Antimonumnents in the context of contemporary war memorials
Ključne besede (ePrints):	protispomenik
Ključne besede (ePrints, sekundarni jezik):	antimonumnent
Povzetek (ePrints):	Diplomska naloga se posveča protispomeniku, kot kritiki institucije spomenika samega in ga prepoznava kot enega mehanizmov družbene in politične kontrole. Omeji se le na vojne spomenike in spomenike povezane s posledicami vojne, kot so Holokavst, položaj vojnih veteranov v družbi, terorizem ipd. Preko primerov del umetnikov Jochem in Esther Shalev-Gertza, Horsta Hoheisela, Norberta Redermacherja in del arhitektov Petra Eisemana, Maye Lin, Michaela Arada ter drugih, diplomska naloga prikaže na kakšen način sodobni avtorji spomeniških del poskušajo posodobiti funkcijo in obliko vojnega spomenika samega. Z insceniranjem izginjanja spomenikov, reduciranjem spomeniških objektov na primarne oblike, ustvarjanjem minimalističnega prostora in ustrezne atmosfere, bolj kot pa uveljavljanjem enoznačne narative, happeningom in inštalacijo želijo avtorji protispomenikov opozoriti na dejstvo, da spomeniki sicer osvetljujejo in poudarjajo določene zgodovinske povezave, nikoli pa ne morejo nadomestiti javne ali individualne odgovornosti za kritično spominjanje. Nove umetniške oblike spomenikov imajo vpliv na sporočilo spomenika in postajajo vedno bolj odprte za zasebno interpretacijo ter zato na drugačen način vstopajo v politično življenje.
Povzetek (ePrints, sekundarni jezik):	The thesis concentrates on the concept of antimonumnent as a critique of traditional monument, which has been recognized as one of mechanisms of political and social control. The selection of examples in the text is limited to the war memorials and memorials connected with the consequences of war, such as Holocaust, the position of veterans in society, terrorism... Contemporary artists which produce war antimonumnents attempt to modernise the function and therefore also the form of the monument itself. The these is illustrated through examples of work of Jochem in Esther Shalev-Gertz, Horst Hoheisel, Norbert Redermacher and works of architects such as Peter Eiseman, Maya Lin, Michael Arad and others. With the inversion of the monument under ground surface; with reduction to the minimalist form; with creating an atmosphere and space more than the clear narrative; with temporary character of happening and installation; artists try to stress that monument can never replace our own critical relationship to memory. New forms in memorials have their impact on memorials message, which is becoming more and more diffuse and open to personal interpretation and it also influences the ways events re-enter political life.
Ključne besede (ePrints, sekundarni jezik):	antimonumnent
ID:	8308843