specifični tokovi sodobne poezije v kontekstu razvoja novih medijev in duhovnozgodovinskih pogojev
Aljaž Krivec (Author), Vanesa Matajc (Mentor), Tomo Virk (Co-mentor)

Abstract

Pričujoče besedilo se ukvarja z vprašanjem specifičnih (sodobnih) pesniških praks, ki so močno povezane z razvojem novih medijev in svetovnega spleta. V nalogi so natančneje predstavljene flarf poezija, spam literatura (oziroma spam poezija), kodna poezija in altlit, vendar izven konteksta digitalne oziroma novomedijske literature, saj je slednja (še) neizdelan in problematičen pojem. Avtor se sprašuje o povezavi med navedenimi praksami in pojmom eksperimentalne literature, predvsem pa je v ospredju vprašan je, kako se navedene prakse umeščajo v razvoj tehnologije na eni strani ter duhovnozgodovinske okoliščine na drugi. Ker gre za usmeritve, ki še niso doživele velikega odziva strokovne javnosti, hkrati pa jih je zaradi kratke časovne distance težko umeščati v širši kontekst, se naloga ukvarja predvsem z nekaterimi vidnimi značilnostmi obravnavanih vrst literatur ter jih skuša s pomočjo ugotovitev umestiti v ožji kontekst. Za potrebe slednjega se avtor ustavi ob vprašanju izvirnosti določenih pesniških praks, razvoju sodobne tehnologije, internetne kulture in nenazadnje specifik različnih programskih jezikov. Zanima ga tudi ločnica med tiskano in digitalno literaturo (v najširšem pomenu besede) - tako v smislu komunikacijskega kroga knjige kakor tudi drugih razsežnosti. Zaključek prinaša tezo, da se v okviru navedenih literatur ne srečujemo z izrazito novimi postopki, da pa je v njih vendarle mogoče spoznati nekaj pristnega stika s tehnologijami, ki jo obdajajo.

Keywords

digitalna doba;elektronski mediji;eksperimentalna poezija;flarf;altlit;spam literatura;kodna poezija;digitalna literatura;bolonjski magisterij;

Data

Language: Slovenian
Year of publishing:
Typology: 2.09 - Master's Thesis
Organization: UL FF - Faculty of Arts
Publisher: [A. Krivec]
UDC: 82.0-1:808.1:004
COBISS: 58468450 Link will open in a new window
Views: 738
Downloads: 400
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Other data

Secondary language: English
Secondary abstract: The following text deals with a question of specific (contemporary) poetical practices, which are strongly connected with the development of new media and world wide web. Following thesis is focused on flarf, spam literature (or spam poetry), code poetry and altlit, but outside the context of digital or new media literature, since its definition is (yet) questionable and problematic. Author questions a link between aforementioned practices and the concept of experimental literature, but the main question remains whether or not these practices are generated by the technological development or historical context. Since we can, due to the temporarity of those practices, face certain difficulties when trying to determine their context, and since they did not yet receive greater acknowledgement by the researchers, the author was bound to shed a light on a possible contexts of those practices on a much smaller scale. To determine those the author of thesis questions originality of certain poetic practices, the advancement of technology, internet culture and, last but not least, specialties regarding different programming languages. Author is aso interested in boundaries between printed and digital literature (in a broad sense of the word) - in a sense of book comunication cycle and other dimensions. The conclusion provides a thesis that the aforementioned literature is not as innovative as it seems, but can still provide a sense of gen uine link with technologies sorrounding it.
Type (COBISS): Master's thesis/paper
Thesis comment: Univ. v Ljubljani, Filozofska fak., Oddelek za primerjalno književnost in literarno teorijo
Pages: 100 f.
ID: 10918135
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