Nadrealizem proti toku

diplomsko delo

Taša Štrukelj (Author), Lev Kreft (Mentor), Janez Vrečko (Mentor)

Abstract

Nadrealizem se je kot gibanje v okviru zgodovinskih avantgard razvijal v Franciji v prvi polovici 20. stoletja. Njegova osrednja figura je bil André Breton, okoli katerega se je vrtela skorajda vsa pomembnejša nadrealistična dejavnost. Leta 1924 je napisal Manifest nadrealizma, v katerem je nadrealizem opredelil kot ideološko in kot literarno smer. Kasneje je z drugimi nadrealisti začel tudi aktivneje prisostvovati tedanjemu družbeno-političnemu dogajanju v Franciji. Nadrealisti so povzeli nekatere marksistične ideje in se v pobudi za spreminjanje stanja v družbi priključili komunistični partiji. André Breton je izdal Drugi manifest nadrealizma in kasneje v Mehiki v sodelovanju z Levom Trockim tudi "tretji manifest" Za neodvisno revolucionarno umetnost. Zadnji manifest zaokroženo predstavlja vrhunec revolucionarne (in nadrealistične) ideologije, ki jo je aktivno gojil André Breton.

Keywords

literatura in ideologija;francoska književnost;zgodovinska avantgarda;nadrealizem;marksizem;komunizem;manifesti;diplomsko delo;Breton;André;1896-1966;

Data

Language:	Slovenian
Year of publishing:	2016
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[T. Štrukelj]
UDC:	82.02"1920/1930":141.82
COBISS:	62041698
Views:	820
Downloads:	195
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	Surrealism as a movement within the historical avant-gardes has developed in France in the first half of the 20th century. Its central figure was André Breton, around whom almost all important surrealist activity was revolving. In 1924, he wrote the Manifesto of Surrealism, in which he defined surrealism in an ideological as well as literary way. Later, with other Surrealists, he also began to actively attend the socio-political developments in France of that time. Surrealists have used some of the Marxist ideas and have joined the French Communist Party in the initiative to change the state of society. André Breton issued the Second Manifesto of Surrealism and later in Mexico in collaboration with Leon Trotsky also the "third manifesto", Manifesto for an Independent Revolutionary Art. The last manifesto represents the culmination of the revolutionary (surrealist) ideology, which André Breton actively cultivated.
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za filozofijo, Oddelek za primerjalno književnost in literarno teorijo
Pages:	48 f.
ID:	10978748