Škofjeloški, Kapelski in Drabosnjakov pasijon
Kaja Žvanut (Author), Aleksander Bjelčevič (Mentor), Irena Orel (Co-mentor)

Abstract

Glavno izhodišče magistrskega dela predstavljajo tri besedila, ki so v rokopisni obliki nastajala v 18. in začetku 19. stoletja. Gre za Škofjeloški pasijon, Kapelski pasijon in Drabosnjakov pasijon, tri dramska besedila, ki so bila igrana na slovenskem etničnem ozemlju. Pasijonska dela so rezultat kapucinske, jezuitske in bukovniške tradicije, slednja je v tem delu tudi razložena. V delu so predstavljene osebe, ki v pasijonih nastopajo, poseben poudarek je na tistih, ki so besedilu dodane in ne sodijo v evangelijsko zgodbo. Vsaka izmed dodanih oseb je opisana. Besedila so medsebojno primerjana na podlagi Monologa Smrti, ki je skupen vsem trem pasijonom. V drugem delu magistrske naloge je zbrano besedišče, ki so ga uporabljali pisci pasijonskih besedil. Rezultat primerjave predstavlja nabor besedja igranih pasijonskih del na Slovenskem.

Keywords

slovenska književnost;slovenska dramatika;Škofjeloški pasijon;Kapelski pasijon;Drabosnjakov pasijon;pasijon na Slovenskem;leksika pasijonov;bukovništvo;Monolog Smrti;18.-19. st.;

Data

Language: Slovenian
Year of publishing:
Typology: 2.09 - Master's Thesis
Organization: UL FF - Faculty of Arts
Publisher: [K. Žvanut]
UDC: 821.163.6-2.09"17/18"
COBISS: 41317891 Link will open in a new window
Views: 336
Downloads: 78
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Other data

Secondary language: English
Secondary title: A comparison of three Slovenian passion plays: Škofja Loka Passion Play, Kapla Passion Play and Drabosnjak Passion Play
Secondary abstract: The analysis of this master's thesis is based on three manuscripts that represent the preserved dramatic passion texts that were performed on the wider ethnic Slovenian region. The passion plays were written in the 18th and the beginning of the 19th century. These are the Škofja Loka Passion Play, which falls under the Jesuit tradition, the Kapla Passion Play, which belongs to the Capuchin church order, and the Drabosnjak Passion Play, which belongs among the "peasant" literature (or bukovništvo), which is further explained in the thesis. In the thesis, the characters of the passion plays are presented, with a particular emphasis on the characters that are added to the texts and are not part of the original gospel stories. There is a comparison of the death monologue, which occurs in all three plays. In the second part of this thesis the words that were used, are extracted. The result of the word analysis is a set of words of the dramatic passion plays that were used in the Slovenian passion playwriting tradition.
Secondary keywords: Slovenian literature;Slovenian dramatics;Škofja Loka Passion Play;Kapla Passion Play;Drabosnjak Passion Play;Slovenian passion play;vocabulary of passions;peasant literature;Death monologue;18th-19th century;
Type (COBISS): Master's thesis/paper
Study programme: 0
Embargo end date (OpenAIRE): 1970-01-01
Thesis comment: Univ. v Ljubljani, Filozofska fak., Oddelek za slovenistiko
Pages: 159 str.
ID: 12061549