Škofjeloški, Kapelski in Drabosnjakov pasijon
Kaja Žvanut (Avtor), Aleksander Bjelčevič (Mentor), Irena Orel (Komentor)

Povzetek

Glavno izhodišče magistrskega dela predstavljajo tri besedila, ki so v rokopisni obliki nastajala v 18. in začetku 19. stoletja. Gre za Škofjeloški pasijon, Kapelski pasijon in Drabosnjakov pasijon, tri dramska besedila, ki so bila igrana na slovenskem etničnem ozemlju. Pasijonska dela so rezultat kapucinske, jezuitske in bukovniške tradicije, slednja je v tem delu tudi razložena. V delu so predstavljene osebe, ki v pasijonih nastopajo, poseben poudarek je na tistih, ki so besedilu dodane in ne sodijo v evangelijsko zgodbo. Vsaka izmed dodanih oseb je opisana. Besedila so medsebojno primerjana na podlagi Monologa Smrti, ki je skupen vsem trem pasijonom. V drugem delu magistrske naloge je zbrano besedišče, ki so ga uporabljali pisci pasijonskih besedil. Rezultat primerjave predstavlja nabor besedja igranih pasijonskih del na Slovenskem.

Ključne besede

slovenska književnost;slovenska dramatika;Škofjeloški pasijon;Kapelski pasijon;Drabosnjakov pasijon;pasijon na Slovenskem;leksika pasijonov;bukovništvo;Monolog Smrti;18.-19. st.;

Podatki

Jezik: Slovenski jezik
Leto izida:
Tipologija: 2.09 - Magistrsko delo
Organizacija: UL FF - Filozofska fakulteta
Založnik: [K. Žvanut]
UDK: 821.163.6-2.09"17/18"
COBISS: 41317891 Povezava se bo odprla v novem oknu
Št. ogledov: 336
Št. prenosov: 78
Ocena: 0 (0 glasov)
Metapodatki: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Ostali podatki

Sekundarni jezik: Angleški jezik
Sekundarni naslov: A comparison of three Slovenian passion plays: Škofja Loka Passion Play, Kapla Passion Play and Drabosnjak Passion Play
Sekundarni povzetek: The analysis of this master's thesis is based on three manuscripts that represent the preserved dramatic passion texts that were performed on the wider ethnic Slovenian region. The passion plays were written in the 18th and the beginning of the 19th century. These are the Škofja Loka Passion Play, which falls under the Jesuit tradition, the Kapla Passion Play, which belongs to the Capuchin church order, and the Drabosnjak Passion Play, which belongs among the "peasant" literature (or bukovništvo), which is further explained in the thesis. In the thesis, the characters of the passion plays are presented, with a particular emphasis on the characters that are added to the texts and are not part of the original gospel stories. There is a comparison of the death monologue, which occurs in all three plays. In the second part of this thesis the words that were used, are extracted. The result of the word analysis is a set of words of the dramatic passion plays that were used in the Slovenian passion playwriting tradition.
Sekundarne ključne besede: Slovenian literature;Slovenian dramatics;Škofja Loka Passion Play;Kapla Passion Play;Drabosnjak Passion Play;Slovenian passion play;vocabulary of passions;peasant literature;Death monologue;18th-19th century;
Vrsta dela (COBISS): Magistrsko delo/naloga
Študijski program: 0
Konec prepovedi (OpenAIRE): 1970-01-01
Komentar na gradivo: Univ. v Ljubljani, Filozofska fak., Oddelek za slovenistiko
Strani: 159 str.
ID: 12061549