magistrsko delo
Katja Škorjanc (Author), Oto Rimele (Mentor)

Abstract

Magistrsko delo najprej opredeli pojma portret in avtoportret v slikarstvu, ki vodita do vprašanja, zakaj ljudje že od samega začetka stvarjenja čutimo potrebo po reprezentiranju in analizi samega sebe. V latinščini pojem "portretirati" govori o "risanju vnaprej" ali "reprezentaciji" svojega jaza. Možni temeljni povod za nastanek omenjenega je želja, da izrazimo sami sebe drugim, zunanji okolici in družbi ter tako tudi kreiramo objektivno reprezentacijo subjektivnega jaza. Ob tem se današnji likovni ustvarjalec sooča z uporabo novih likovnih in slikarskih tehnik, ki seveda aktivno sooblikujejo vsebino izraza. Sprejemanje novih tehnik podira meje tradicionalnih medijev in ustvarja sporočilo, ki odraža nove ideje socialnega in političnega vidika 21. stoletja. Nove tehnologije se tako prilagajajo, olajšujejo in hkrati nadgrajujejo avtorske izkušnje na različnih umetniških področjih, kot so video, fotografija, instalacija, grafika, risanje in digitalno slikanje. Slednje, torej digitalno slikarstvo, je nastajajoča in hkrati naraščajoča umetniška oblika, v kateri se z digitalnimi orodji s pomočjo računalnika, digitalizacijske/grafične tablice in pisala ter programske opreme v prazno datoteko/digitalni "prazen papir" nanašajo tradicionalne tehnike slikanja, kot so akvarel, olje, impasto itd. Digitalno oljno slikarstvo tako predstavlja zlato nit magistrskega dela, saj so v njegovem sklopu nastala štiri umetniška dela oz. avtoportreti, ki so bili ključni za nastanek zaključnega dela. Slikarski slog avtoportretov se deloma naslanja na opuse starih slikarskih mojstrov, kot so Albrecht Dürer, Francis Bacon, Michelangelo Merisi da Caravaggio, Lucian Freud in Nicola Samori. Na podlagi njihovih navajanj se dotaknem pomena eklektičnega delovanja v smislu rasti lastnega umetniškega sloga, ki nezavedno izhaja iz predhodnih umetnikov in njihovih del, naj bodo to ali velikani umetnosti ali pa povsem neopazna posamezna dela, ki se nam po spletu naključij zasidrajo v spomin. Po opredelitvi in analizi svojega umetniškega sloga se magistrsko delo nadaljuje v opisu praktične izvedbe, kjer opisuje korake procesa, v katerem so nastala dela in krajši opis dveh programov (Procreate in Paint Tool SAI), v katerih so bila dela izvedena. Temu sledi evalvacija nastalih likovnih izdelkov, možne nevšečnosti, ki so se pojavile v samem procesu ustvarjanja in tiskane materializacije del, ter končni sklep, ki obravnava naravo, prednosti in slabosti digitalnega slikanja ter končno idejo o dialogu med digitalnim in tradicionalnim oljnim slikarstvom.

Keywords

magistrska dela;portreti;avtoportreti;slikarstvo;digitalno slikarstvo;digitalizacija;

Data

Language: Slovenian
Year of publishing:
Typology: 2.09 - Master's Thesis
Organization: UM PEF - Faculty of Education
Publisher: [K. Škorjanc]
UDC: 75.041.53:004.932(043.2)
COBISS: 93790467 Link will open in a new window
Views: 219
Downloads: 23
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Other data

Secondary language: English
Secondary title: Painted self-portrait image and the process of its digitization
Secondary abstract: The master's thesis first defines the terms portrait and self-portrait in the painting world, which, however, leads to the question of why people from the very beginning of creation feel the need to represent and analyze themselves. In Latin, the term "portray" refers to "drawing in advance" or "representing" one's self. A possible fundamental reason for the emergence of the above is the desire to express ourselves to others, the external environment and society, and thus also creates an objective representation of the subjective self. In addition, today's artist is faced with the use of new art and painting techniques, which of course actively co-create the content of the expression. The adoption of new techniques are breaking down the boundaries of traditional media and are creating a message that reflects new ideas from the social and political perspective of the 21st century. New technologies thus adapt, facilitate and at the same time upgrade the author's experience in various artistic fields such as video, photography, installation, graphics, drawing and digital painting. The latter, digital painting, is an emerging and at the same time growing art form in which traditional painting techniques, such as watercolor, oil, impasto, etc. are applied to a blank file/digital "blank paper" with the help of a computer, graphic tablet and pen and needed software. Digital oil painting thus represents the golden thread of the master's thesis, as four works of art were created within it - self-portraits, which were key to the creation of this final work. The painting style of self-portraits relies in part on the opuses of old painters such as Albrecht Dürer, Francis Bacon, Michelangelo Merisi da Caravaggio, Lucian Freud and Nicola Samori. Based on their statements, I touch on the importance of eclectic action in terms of the growth of one's own artistic style, which unconsciously stems from previous artists and their works, be they giants of art or completely inconspicuous individual works that are anchored in our memory. After defining and analyzing their artistic style, the master's thesis continues in the description of the practical implementation, where I describe the steps of the process in which the works were created and a brief description of the two programs (Procreate and Paint Tool SAI) that I used. This is followed by an evaluation of the resulting art products, possible inconveniences that arose in the process of creation and printed materialization of works, and a final conclusion that discusses the nature, advantages and disadvantages of digital painting and the final idea of dialogue between digital and traditional oil painting.
Secondary keywords: master theses;portraits;selfportraits;painting;art;digital painting;digitalisation;Slikarstvo;Ustvarjanje (književno, umetniško ipd.);Univerzitetna in visokošolska dela;
Type (COBISS): Master's thesis/paper
Thesis comment: Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages: 1 spletni vir (1 datoteka PDF (IX, 67 str.))
ID: 12077487