ljubezen, ljubosumje in mimetična želja v Zupanovem romanu Potovanje na konec pomladi
Robert Kuret (Author)

Abstract

Glavno vprašanje pri analizi Potovanja na konec pomladi Vitomila Zupana bo, kako ženski liki za pripovedovalca, profesorja slovenščine, sploh postanejo objekti ljubezni. Pri odgovoru na to vprašanje si bomo pomagali s teorijo mimetične želje Reneja Girarda, ki mu je vodilo predstavljalo vprašanje, kako nek objekt postane objekt želje. Pri tem bom ob koncu prepoznal elemente psihoanalize iz Lacanovega spisa Pomena falosa in teorije ljubosumja, ki ga je kot modifikacijo mimetične teorije razvil Jean-Pierre Dupuy.

Keywords

slovenska književnost;slovenski roman;ženski liki;mimetična želja;model želje;objekt želje;ljubosumje;ljubezen;Zupan;Vitomil;1914-1987;"Potovanje na konec pomladi";

Data

Language: Slovenian
Year of publishing:
Typology: 1.08 - Published Scientific Conference Contribution
Organization: UL FF - Faculty of Arts
UDC: 821.163.6.09-31Zupan V.
COBISS: 64587362 Link will open in a new window
Views: 257
Downloads: 110
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Other data

Secondary language: English
Secondary abstract: The main question with regard to analysis of Vitomil Zupan's Potovanje na konec pomladi (Journey to the End of Spring) is how to the narrator, a Slovene teacher, female figures become objects of love. An answer can be found with the help of Rene Girard's theory of mimetic desire, which attempts to deal with how on object becomes an object of desire. Help can also be offered by elements of psychoanalysis from Lacan's essay On the Signification of the Phallus and the theory of jealousy which Jean-Pierre Dupuy developed as a modification of mimetic theory.
Secondary keywords: Slovenian literature;Slovenian novel;female figures;mimetic desire;model of desire;object of desire;jealousy;love;
Pages: Str. 123-126
DOI: 10.4312/SSJLK.53.123-126
ID: 12352477