ljubezen, ljubosumje in mimetična želja v Zupanovem romanu Potovanje na konec pomladi
Abstract
Glavno vprašanje pri analizi Potovanja na konec pomladi Vitomila Zupana bo, kako ženski liki za pripovedovalca, profesorja slovenščine, sploh postanejo objekti ljubezni. Pri odgovoru na to vprašanje si bomo pomagali s teorijo mimetične želje Reneja Girarda, ki mu je vodilo predstavljalo vprašanje, kako nek objekt postane objekt želje. Pri tem bom ob koncu prepoznal elemente psihoanalize iz Lacanovega spisa Pomena falosa in teorije ljubosumja, ki ga je kot modifikacijo mimetične teorije razvil Jean-Pierre Dupuy.
Keywords
slovenska književnost;slovenski roman;ženski liki;mimetična želja;model želje;objekt želje;ljubosumje;ljubezen;Zupan;Vitomil;1914-1987;"Potovanje na konec pomladi";
Data
Language: |
Slovenian |
Year of publishing: |
2017 |
Typology: |
1.08 - Published Scientific Conference Contribution |
Organization: |
UL FF - Faculty of Arts |
UDC: |
821.163.6.09-31Zupan V. |
COBISS: |
64587362
|
Views: |
257 |
Downloads: |
110 |
Average score: |
0 (0 votes) |
Metadata: |
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Other data
Secondary language: |
English |
Secondary abstract: |
The main question with regard to analysis of Vitomil Zupan's Potovanje na konec pomladi (Journey to the End of Spring) is how to the narrator, a Slovene teacher, female figures become objects of love. An answer can be found with the help of Rene Girard's theory of mimetic desire, which attempts to deal with how on object becomes an object of desire. Help can also be offered by elements of psychoanalysis from Lacan's essay On the Signification of the Phallus and the theory of jealousy which Jean-Pierre Dupuy developed as a modification of mimetic theory. |
Secondary keywords: |
Slovenian literature;Slovenian novel;female figures;mimetic desire;model of desire;object of desire;jealousy;love; |
Pages: |
Str. 123-126 |
DOI: |
10.4312/SSJLK.53.123-126 |
ID: |
12352477 |