Novosti v treh romanih Ivana Cankarja

Abstract

V treh romanih Ivana Cankarja, Tujci, Na klancu in Hiša Marije Pomočnice, sem raziskovala naslednje novosti: izvirno poetiko, drugačno vlogo ženske, provokativnost ljubezni, pomen smrti, posebno odkritosrčnost, delež avtobiografičnosti in pripovedno empatijo. Prvi Cankarjev roman Tujci je hkrati prvi slovenski ljubezenski roman, v katerem je ljubezen sinonim za trojno odtujenost, tujost do domovine, umetnosti in ženske; zadnja pripiše ženski drugačno, manj tradicionalno spolno vlogo. Če prinaša roman Na klancu znatno več novosti, saj gre za prvi simbolistični roman (žanr proletarski roman vnaša tudi realistične primesi) in prvi slovenski roman, v katerem je glavni lik ženska, je najbolj inovativen vsekakor Hiša Marije Pomočnice. Ta s seksualizacijo žensk in otrok, ki je hkrati tudi demitizacija družine in družbe, prevrednoti celo vlogo smrti: smrt-odrešiteljica iz Tujcev in smrt-potrjevalka trpljenja iz romana Na klancu se v Hiši Marije Pomočnice razpreta v večpomenskost nihilističnih, spiritualističnih in soterističnih konotacij. Vsota vseh novosti, predvsem pa največja stopnja pripovedne empatije, ne vpliva samo na največjo izvirnost poetike v tem romanu, ampak kaže tudi na največjo inovativnost v takratni slovenski književnosti.

Keywords

slovenska književnost;slovenski pisatelji;izvirna poetika;vloga ženske;pripovedna empatija;Cankar;Ivan;1876-1918;"Tujci";"Na klancu";"Hiša Marije Pomočnice";

Data

Language:	Slovenian
Year of publishing:	2018
Typology:	1.08 - Published Scientific Conference Contribution
Organization:	UL FF - Faculty of Arts
UDC:	821.163.6.09Cankar I.
COBISS:	67152226
Views:	378
Downloads:	165
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	Three novels by Ivan Cankar, Tujci (Strangers), Na klancu (On the Hill) and Hiša Marije Pomočnice (The Ward of Our Lady of Mercy), were examined in order to identify the following: an original poetics, a different role for women, provocative love, the meaning of death, particular sincerity, the level of autobiography and narrative empathy. Cankar's first novel, Tujci, is also the first Slovene romantic novel, in which love is a synonym for a triple sense of alienation - from the homeland, art and women; the latter ascribes to women a different, less traditional sexual role. While Na klancu offers much that is new, for it is the first symbolistic novel (the genre of the proletarian novel brings some realistic elements) and the first Slovene novel in which the main character is a woman, the most innovative is without a doubt Hiša Marije Pomočnice. Its sexualisation of women and children, which is at the same time a demythification of the family and society, also re-evaluates the role of death. In Hiša Marije Pomočnice, death as salvation in Tujci and death as confirmation of suffering in Na klancu, is widened into multiple levels of nihilistic, spiritualistic and soteristic connotations. The level of innovation, particularly the highest level of narrative empathy, influences not only the highly original poetics in this novel, but also points to the significant level of innovation in the Slovene literature of the time.
Secondary keywords:	Slovenian literature;Slovenian writers;original poetics;role for women;narrative empathy;
Pages:	Str. 38-46
DOI:	10.4312/SSJLK.54.38-46
ID:	12352484