Gregor Pompe (Author)

Abstract

Glasba se zdi skoraj v celoti ideološka, pri čemer se ideološke vsebine glasbenemu substratu dodajo tako v aktu ustvarjanja kot tudi aktu recepcije, zaradi česar je mogoče govoriti o ideologiji v glasbi in ideologiji o glasbi. Vzrok za takšno ozko povezanost glasbe in ideologije leži v negotovem semantičnem statusu glasbe. Glasba sicer primarno ni semantična oz. referencialna, vendar pa se v procesu sprejemanja odpira širokemu pomenskemu območju, tudi ideološkemu.

Keywords

glasba;ideologija glasbe;semantika glasbe;referencialnost glasbe;politika;ideologija;

Data

Language: Slovenian
Year of publishing:
Typology: 1.08 - Published Scientific Conference Contribution
Organization: UL FF - Faculty of Arts
UDC: 78:316.75
COBISS: 49264482 Link will open in a new window
Views: 192
Downloads: 22
Average score: 0 (0 votes)
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Other data

Secondary language: English
Secondary abstract: Music seems to be almost completely ideological, whereby the ideological component is added to the musical substrate both in the act of creation and in the act of reception, because of which it is possible to speak of ideology in music and ideology about music. The reason for such a close connection between music and ideology lies in the uncertain semantic status of music. Music is not primarily semantic or referential, but its reception process opens a broad semantic area, including the ideological.
Secondary keywords: music;ideology of music;semantics of music;referentiality of music;politics;ideology;function;
Pages: Str. 77-82
ID: 13052038
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