Schopenhauerjeva filozofija glasbe

premislek Schopenhauerjeve metafizike glasbe z vidika izvajanja

Eileen Bucik (Author), Valentina Hribar Sorčan (Mentor)

Abstract

Diplomsko delo se osredotoča na analizo Schopenhauerjeve filozofije glasbe. S pomočjo izhajanja iz njegove metafizike, ki razločuje tri ravni sveta: voljo, ideje in pojavni svet, delo raziskuje mesto glasbe kot umetnosti. V obravnavanje vzporednic glasbe in njenih značilnosti s tremi ravnmi sveta delo vpleta tematiko izvajalca kot pomembnega člena v glasbenem procesu. To počne tako z vidika njegovega metafizičnega razmerja do skladatelja kot tudi z vidika vsebujočih obravnavanj vloge človekovih občutkov v glasbi in predstavljanja posameznih primerov v nasprotju z glasbeno občostjo. Delo tako skozi pogled izvajanja prepleta dve obravnavi glasbe: metafizično in praktično glasbeno.

Keywords

filozofija glasbe;glasba;metafizika;izvajanje;diplomska dela;Schopenhauer;Arthur;1788-1860;

Data

Language:	Slovenian
Year of publishing:	2021
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[E. Bucik]
UDC:	78.01Schopenhauer A.(043.2)
COBISS:	81748739
Views:	289
Downloads:	41
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Schopenhauer's Philosophy of Music: Rethinking Schopenhauer's Metaphysics of Music from the Point of View of Performing
Secondary abstract:	The thesis focuses on analysis of Schopenhauer’s philosophy of music. Taking his metaphysics with its distincion of three levels of the world: will, ideas and phenomenal world as a starting point, the paper researches the place of music as an art. In addressing the parallel features of music and its characteristics with the three levels of the world the paper incorporates the theme of the performer as an important part in the musical process. This is done from the view of his metaphysical relation to the composer as well as the view concerning the role of human feelings in music and imagination of examples in contrast to music’s universality. In this way, the thesis combines two views of music: metaphysical and practical musical, both through the lense of performing.
Secondary keywords:	philosophy of music;music;metaphysics;performing;
Type (COBISS):	Bachelor thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za filozofijo
Pages:	45 f.
ID:	13534343