Posebnosti didaskalij v Grumovi drami Dogodek v mestu Gogi

Ivana Zajc (Author)

Abstract

V prispevku problematiziram binarne opredelitve didaskalij, ki te delijo le na tradicionalne in subverzivne. V besedilu Slavka Gruma Dogodek v mestu Gogi (1930) didaskalije ohranjajo nekatere tradicionalne poteze oz. ne vsebujejo skrajnih subverzij, ampak le določene manjše odmike od tradicionalnih didaskalij. Med temi sta zmanjšana vloga didaskalij kot navodil za uprizoritev in poudarjena estetska funkcija. Nekateri tipi subverzij konvencij didaskalij v Dogodku v mestu Gogi oblikujejo vtis antropomorfne subjektivne zavesti, ki interpretira dogajanje v dialogih. Subjektivni pogled na dramsko dogajanje v didaskalijah je ključen za interpretacijo celotnega teksta.

Keywords

Dogodek v mestu Gogi;dramatika;didaskalije;naratologija drame;utelešenost;Grum;Slavko;1901-1949;

Data

Language:	Slovenian
Year of publishing:	2019
Typology:	1.08 - Published Scientific Conference Contribution
Organization:	UNG - University of Nova Gorica
UDC:	821
COBISS:	83641859
Views:	943
Downloads:	45
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	The stage directions in the Grum's dramatic text Dogodek v mestu Gogi
Secondary abstract:	In the paper I criticize the binary definitions that differ only the traditional stage directions from the subversive stage directions. In the text Dogodek v mestu Gogi (1930) the stage directions maintain some traditional properties and do not contain extreme subversions, but rather subtle departures from traditional attributes of the stage directions. Among these, the reduced role of the stage directions as the instruction for the performance and their emphasized aesthetic function. Some types of subversions of the conventions of the stage directions in Dogodek v mestu Gogi give the impression of an anthropomorphic subjective consciousness , which interprets the events in the dialogues. A subjective view of the dramatic action in the stage directions is crucial for the interpretation of the whole text.
Secondary keywords:	The event in the City of Goga;drama;stage directions;narratology of drama;embodiment;
URN:	URN:SI:UNG
Pages:	Str. 153-165
ID:	13641604