Iz analitične ontologije glasbenega dela

magistrska naloga

Goran Slekovec (Author), Franci Zore (Mentor)

Abstract

Analitična filozofija je v zadnjih 60 letih postopoma in počasi razvila strujo filozofije glasbe, imenovano ontologija glasbenega dela. Namera te naloge je predstaviti nekaj temeljnih teorij iz ontologije in s temi povezana najosnovnejša vprašanja in odgovore. Kaj je glasbeno delo? Kako glasbeno delo obstaja? Kaj je izvedba? V kakšni relaciji stoji eno z drugim? Ali obstaja glasbeno delo neodvisno od svojih izvedb oziroma ali obstajajo zgolj izvedbe, nekaj takega, kar je glasbeno delo, pa ne? Kakšno vlogo igra pri tem partitura? Kaj pomeni skladati? Število odgovorov, ki jih lahko nanizamo ob teh nekaj vprašanjih, je že blizu nepreštevnega, velika večina pa stoji prav na temeljih zgodnje faze novega filozofiranja. Vprašanja in odgovori po glasbenem delu so hkrati ista tistim o glasbi sami. Ta je morda danes bolj (ne)jasna kot kadar koli prej, zato se bo govorica o njej morda zdela banalna. A nič za to. Iz zgodovine filozofije smo že vajeni, da so v večini primerov banalne stvari tudi najtežje obrazložljive. Poskusimo. Kaj je glasba?

Keywords

filozofija glasbe;ontologija;glasbeno delo;glasba;magistrska dela;

Data

Language:	Slovenian
Year of publishing:	2021
Typology:	2.09 - Master's Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[G. Slekovec]
UDC:	111:78(043.2)
COBISS:	87941891
Views:	235
Downloads:	22
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	From the analytical ontology of a musical work
Secondary abstract:	In the last 60 years, analytical philosophy has gradually and slowly developed a branch of philosophy called the ontology of musical work. The intention of this paper is to present some basic theories from ontology and the most basic questions and answers related to them. What is a musical work? How does a musical work exist? What is a performance? In what relation do they stand with each other? Is a musical work independent of its performances, or are there only performances of it and that something as a musical work in itself does not exist? What role does the score play in all this? What does it mean to compose? The number of answers we can put forth to these few questions is already close to innumerable, but the vast majority stand right on the foundations of the early phase of the new philosophizing. The questions and answers about a musical work are the same as the ones about the music itself. Today the music may be as (un)clear as ever before, therefore talking about it may seem very banal. But no matter. From the history of philosophy we are already accustomed to the facts that in most cases, the most banal things are also the most difficult to explain. Let's give it a try. What is music?
Secondary keywords:	philosophy of music;ontology;musical work;music;
Type (COBISS):	Master's thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za filozofijo
Pages:	80 str.
ID:	13741643