Abstract

V prispevku raziskujem osnovna teoretična in metodološka stališča spremne besede Andreja Brvarja v antologiji slovenske pesmi v prozi Brez verzov, brez rim (2011) v luči spreminjanja nekaterih slogovnih obdobij in smeri ter njihovega kulturnega konteksta. V kritičnem in recepcijskem spremljanju je ta zvrst ostala na robu slovenskega literarnega sistema in zato je pričujoča antologija pomemben poskus njenega vrednotenja. Za slovenske pesnike in prozaiste predstavlja način modernizacije verza oz. proznega stavka.

Keywords

slovenska književnost;sodobna slovenska poezija;pesmi v prozi;svobodni verz;prozne zvrsti;antologije;Brez verzov, brez rim;Brvar;Andrej;1945-;

Data

Language: Slovenian
Year of publishing:
Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization: UL FF - Faculty of Arts
UDC: 821.163.6-1.09
COBISS: 86554883 Link will open in a new window
Views: 89
Downloads: 32
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Other data

Secondary language: English
Secondary abstract: In this paper, I examine the basic theoretical and methodological views of Andrej Brvar's foreword in the anthology of Slovene poetry in prose Brez verzov, brez rim (Without Verses, Without Rhymes, 2011) in the light of changing stylistic periods and directions, as well as their cultural context. With regard to critical reception this genre has remained on the margin of the Slovene literary system and therefore the present anthology is an important attempt to evaluate it. For Slovene poets and prose writers, it is one of the ways to modernise both verse and the prose sentence.
Secondary keywords: Slovene literature;contemporary Slovene poetry;prose poem;free verse;prose genres;anthologies;Without verses, without rhymes;
Pages: Str. 39-45
DOI: 10.4312/Obdobja.40.39-45
ID: 15023675
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