Abstract

Prispevek se osredotoča na reprezentacijo erotične intime in lezbičnega odnosa v poeziji Ljudmile Poljanec (1874-1948), ki je izdala samo eno zbirko Poezije (1906). Uveljavila se je v obdobju moderne v okviru slovenske kulture na periferiji Avstro-Ogrske. Izhajala je iz generacije mladih svetovljanskih pisateljic, zbranih okrog časopisa Slovenka. V ciklu Ob Adriji in predvsem delu tega Baronesi Sonji (1906) je prešla iz realizma v impresionizem in v moderno poetiko. V avtobiografskih pesmih ljubezenski objekt stereotipno idealizira in ga postavlja v kontekst mediteranskega prostora, pozneje doživlja ljubezen kot izvor trpljenja in krščanske krivde.

Keywords

slovenska književnost;slovenska poezija;slovenske pesnice;slovenska moderna;lezbična tematika;Poljanec;Ljudmila;1874-1948;"Poezije";

Data

Language: Slovenian
Year of publishing:
Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization: UL FF - Faculty of Arts
UDC: 821.163.6-1.09:316.367.7
COBISS: 86740995 Link will open in a new window
Views: 153
Downloads: 41
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Other data

Secondary language: English
Secondary abstract: The article focuses on erotic intimacy and the postromantic representation of love in the poetry of Ljudmila Poljanec (1874-1948), the first Slovene lesbian poet, who published her only collection of poetry Poezije (Poems) in 1906. The article analyses the representation of homoerotic desire and the thematisation of love in the autobiographic cycles Ob Adriji (By the Adriatic) and Baronesi Sonji (To the Baroness Sonja), in which she switched from realism to impressionism. I will focus on the idealised picture of a woman in her poems. Later, love became a source of suffering and a reason for Christian guilt.
Secondary keywords: Slovene literature;Slovene poetry;Slovene women poets;Slovene Moderna;lesbian theme;
Pages: Str. 69-76
DOI: 10.4312/Obdobja.40.69-76
ID: 15023678