Kratki sonetni cikli Vide Taufer in Lili Novy

Abstract

V skladu z obnovljenim zanimanjem za sonetno obliko v slovenskem pesništvu tridesetih let 20. stoletja so soneti zastopani tudi v pesništvu Vide Taufer (1903-1966) in Lili Novy (1885-1958). V zbirki Veje v vetru (1939) je Vida Taufer sonete trikrat povezala v tročleni cikel, Lili Novy pa v zbirki Temna vrata (1941) le enkrat v sonetni diptih. S prepoznavno osebno poetiko sta kratke cikle oblikovali kot opazne idejno-kompozicijske celote.

Keywords

slovenska književnost;slovenska poezija;slovenske pesnice;ljubezensko pesništvo;lirski cikel;sonetni cikel;naracija;Taufer;Vida;1903-1966;"Veje v vetru";Novy;Lili;1885-1958;"Temna vrata";

Data

Language:	Slovenian
Year of publishing:	2021
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL FF - Faculty of Arts
UDC:	821.163.6-1.09
COBISS:	86746371
Views:	90
Downloads:	42
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	In accordance with the renewed interest in the sonnet form in Slovene poetry of the 1930s, sonnets are represented in the poetry works of Vida Taufer (1903-1966) and Lili Novy (1885-1958). In the poetry collection Veje v vetru (Branches in the Wind) (1939) Vida Taufer connected sonnets three times into a three-piece cycle, while in her collection Temna vrata (Dark Doors) (1941), Lili Novy linked them only once to form a sonnet diptych. With their recognised personal poetics, they arranged these short cycles into a noticeable conceptual and compositional whole.
Secondary keywords:	Slovene literature;Slovene poetry;Slovene women poets;love poetry;lyric cycle;sonnet cycle;narration;
Pages:	Str. 77-83
DOI:	10.4312/Obdobja.40.77-83
ID:	15023679