Marlena Gruda (Author)

Abstract

Namen tega članka je predstavitev zbirke Didaskalije k dihanju Anje Golob v luči "poetike sledi", razumljene kot odmev intencionalne prisotnosti in kot nekaj, kar konstituira prisotnost ali kar je oblika prisostvovanja neprisotnosti. Avtorica v svoji intimni in filozofski poeziji opozarja na potrebo po razumevanju sveta in po svobodi, včasih neprisotni, a ne nedostopni. Poudarja tudi pomen gibanja, časa in prostora postajanja smisla, do katerega prispe, nihajoč med tišino in večbesednostjo, v prostoru raznolikih jezikov in simbolov, občutljiva na ničnost in praznino. Prav tam, v praznini in ničnosti, sencah in odtisih, se pogosto ustavi, da pokaže sledi neprisotnosti.

Keywords

slovenska književnost;slovenska poezija;slovenske pesnice;intimna poezija;filozofska poezija;sled;prisotnost;gibanje;senca;praznina;Golob;Anja;1976-;"Didaskalije k dihanju";

Data

Language: Slovenian
Year of publishing:
Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization: UL FF - Faculty of Arts
UDC: 821.163.6-1.09Golob A.
COBISS: 86763523 Link will open in a new window
Views: 68
Downloads: 28
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Other data

Secondary language: English
Secondary abstract: The aim of the article is to discuss Anja Golob's poetic volume Didaskalije k dihanju (Stage Directions to Breathing) in the context of the "poetics of the trace", understood as echoes of intentional presence and as something that constitutes presence, or that is a form of becoming in unpresence. In her intimate and philosophical poetry, Golob points out the importance of understanding the world and the need for freedom, which may be not present at times, but which is never unattainable. She also points to movement, time and space in which sense comes into existence, and which she reaches by moving between silence and verbosity, within the space of diverse languages and symbols, sensitive to presence and non-presence, as emptiness and void. It is there, in emptiness and void, in shadows and reflections, that Golob stops, aiming to show the traces of unpresence.
Secondary keywords: Slovene literature;Slovene poetry;Slovene women poets;intimate poetry;philosophical poetry;trace;presence;movement;shadow;emptiness;
Pages: Str. 147-153
DOI: 10.4312/Obdobja.40.147-153
ID: 15023687