Miran Špelič (Author)

Abstract

V pričujočem prispevku skušamo ovrednotiti pesniško delo Zdenke Serajnik, slabo poznane pesnice, sicer podeželske učiteljice slovenskega jezika, ki je med drugim prevajala Almo Karlin in sodelovala pri nastajanju slovenskih bogoslužnih knjig. Njen izredno bogat pesniški opus, ki je daleč od šablonskega in plehkega verzificiranja, je sad njene široke razgledanosti tudi na teološkem področju, predvsem pa navdiha in obvladovanja poetičnih orodij. Lahko ga označimo kot poetični odmev drugega vatikanskega koncila (1962–1965).

Keywords

slovenska književnost;slovenska poezija;slovenske pesnice;religiozna poezija;liturgija;sonet;

Data

Language: Slovenian
Year of publishing:
Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization: UL TEOF - Theological Faculty
UDC: 821.163.6-1.09:27-528
COBISS: 87141891 Link will open in a new window
Views: 75
Downloads: 36
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Other data

Secondary language: English
Secondary abstract: The paper evaluates the poetic work of Zdenka Serajnik, a little-known poet and rural teacher of Slovene language who, among other things, translated Alma Karlin and participated in the creation of Slovene liturgical books. Her extremely rich poetic oeuvre, which is far from templated and shallow versification, is the fruit of her wide-ranging theological insight and, above all, of her inspiration and mastery of poetic tools. It can be described as a poetic echo of the Second Vatican Council (1962–1965).
Secondary keywords: Slovene literature;Slovene poetry;Slovene women poets;religious poetry;liturgy;sonet;Serajnik;Zdenka;1911-2003;"Poezije";
Pages: Str. 425-433
DOI: 10.4312/Obdobja.40.425-433
ID: 15849488