Pravorečje in sodobne slovenske gledališke uprizoritve

Katarina Podbevšek (Author), Nina Žavbi Milojević (Author)

Abstract

Od časov Župančičevega načrtnega oblikovanja odrskega govora v prvi polovici 20. stoletja in od izida Ruplovega Pravorečja (1946) se je jezikovna resničnost, zlasti zaradi velikih svetovnih družbenih sprememb, opazno predrugačila. Spremenile so se tudi gleda-liške prakse ter funkcija in oblika odrskega govora. Članek poskuša (s pomočjo rezultatov ankete) ugotoviti aktualnost pravorečja pri oblikovanju sodobne odrske zbornogovorne podobe.

Keywords

fonetika;zborna izreka;sodobne gledališke uprizoritve;lektor;odrski govor;

Data

Language:	Slovenian
Year of publishing:	2019
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL AGRFT - Academy of Theatre, Radio, Film and Television
UDC:	811.163.6'342.2:792
COBISS:	4820571
Views:	46
Downloads:	24
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	Since the time of Oton Župančič's systematic design of stage speech in the first half of the 20th century and the publishing of Mirko Rupel's Slovensko pravorečje (Slovene Ortho-epy, 1946), the linguistic reality, particularly because of radical global social changes, has been noticeably transformed. Theatre practices and the function and form of stage speech have also changed. The article seeks to determine (using the results of a survey) the current relevance of orthoepy in the creation of a contemporary stage standard-speech realization.
Secondary keywords:	phonetics;standard pronunciation;contemporary theatre staging;language consultant;stage speech;
Pages:	Str. 271-277
DOI:	10.4312/Obdobja.38.271-277
ID:	15891205