magistrsko delo
Tanja Božić (Author), Tone Smolej (Mentor), Florence Gacoin-Marks (Mentor)

Abstract

Pričujoče magistrsko delo se ukvarja s pregledom zmagovalnih del Goncourtove nagrade za najboljši francoski roman leta med letoma 2009 in 2018. Po zgodovinskem uvodu, namenjenem nastanku nagrade, ki je zasnovana na podlagi oporoke Edmonda de Goncourta, sledijo predstavitev načina delovanja Goncourtove akademije, njenih (ne)obstoječih kriterijev za izbor nagrajenca, seznam članov akademije in povzetek najodmevnejših polemik tega literarnega odlikovanja. Po prvotnem zgodovinsko naravnanem delu naloge se posvetimo štiridelni analizi vsakega od desetih (med letoma 2009 in 2018) nagrajenih romanov. Najprej se ukvarjamo s strnjenim pregledom štirih finalistov vsakega leta, nato pa sledi bi(bli)ografija zmagovalnega avtorja. Tretji del analize je posvečen literarnokritični obravnavi posamičnega romana, četrti oz. zadnji sklop pa se konča s sintezo recepcije izbranih člankov francoskega časopisja. Čeprav predstavniki Goncourtove akademije trdijo, da kriterijev za podelitev nagrade ni, lahko na podlagi desetih izbranih lavreatov, ki resda kažejo formalne in tematske različnosti, prepoznamo naklonjenost žirije zgodovinskemu romanu in estetiki realizma, ki se mestoma že preveša v naturalizem.

Keywords

francoska književnost;literarne nagrade;Goncourtova nagrada;sodobni roman;realizem;

Data

Language: Slovenian
Year of publishing:
Typology: 2.09 - Master's Thesis
Organization: UL FF - Faculty of Arts
Publisher: [T. Božić]
UDC: 821.133.1.09"2009/2018"
COBISS: 115501571 Link will open in a new window
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Downloads: 21
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Other data

Secondary language: English
Secondary title: Contemporary French literature as seen through the works of the Prix Goncourt winners (2009–2018)
Secondary abstract: This master’s thesis is a study of the novels that received the Goncourt Prize (Prix Goncourt) between 2009 and 2018; the prize is awarded for the best French novel of the year. The historical introduction describing the formation of the prize, which was based on the last will of Edmond de Goncourt, is followed by a presentation of the manner in which the Goncourt Academy operates, their (non-)existent criteria for winner selection, the list of academy members, and a summary of the most resounding controversies connected with this literary award. Afterwards, each of the ten award-winning novels (between 2009 and 2018) is analysed separately; the analysis is divided into four parts. In the first part, a summary of the four shortlisted works for each year is presented, which is followed by the biography and bibliography of each laureate. The third part of the analysis is dedicated to the literary-critical analysis of each novel, whereas the fourth and final part overviews the reception of the award-winning novel by the French press. Even though the members of the Goncourt academy deny the existence of selection criteria for the prize, based on the analysis of the ten awarded novels, notwithstanding their formal and thematic variety, we can discern the jury’s preference for historical novels and the aesthetics of realism, which partly extends into naturalism.
Secondary keywords: French literature;literary awards;Goncourt Prize;contemporary novel;realism;
Type (COBISS): Master's thesis/paper
Study programme: 1011032
Embargo end date (OpenAIRE): 1970-01-01
Thesis comment: Univ. v Ljubljani, Filozofska fak., Oddelek za primerjalno književnost in literarno teorijo, Oddelek za romanske jezike in književnosti
Pages: 133 str.
ID: 15907823