Dunajska predmestna deklica pri Ivanu Cankarju in Arthurju Schnitzlerju

Abstract

Ivan Cankar in Arthur Schnitzler sta na prelomu iz 19. v 20. stoletje tematizirala dunajsko predmestje in tam živečo deklico, najpogosteje šiviljo iz proletarskega ali malomeščanskega okolja. Cankarjeva predmestna deklica ne pozna erotične lahkoživosti in otožne očarljivosti Schnitzlerjeve "süsses Madel", je še napol otrok, vendar že postarana, zmeraj zamišljena, obremenjena s skrbjo za preživetje, pogosto priča ali žrtev spolnega nasilja; iz grdega telesa in vsakdanjega življenja v predmestju, ki ga občuti kot ječo, pobega v hrepenenjski svet čiste lepote, a to jo pogosto vodi tudi v smrt. V upodabljanju predmestne deklice obstajajo med slovenskim in avstrijskim pisateljem velike razlike, pogosta tematizacija smrti v povezavi z umetnostjo, kriza identitete, estetizacija življenja pa so teme, ki ju tudi povezujejo.

Keywords

slovenska književnost;avstrijska književnost;metafore;literarni liki;lik deklice;primerjalne študije;ne zaključna dela;

Data

Language:	Slovenian
Year of publishing:	2004
Typology:	1.01 - Original Scientific Article
Organization:	UM PEF - Faculty of Education
Publisher:	Slavistično društvo Slovenije
UDC:	82.09
COBISS:	13323016
ISSN:	0021-6933
Parent publication:	Jezik in slovstvo
Views:	1702
Downloads:	65
Average score:	0 (0 votes)
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Other data

Secondary language:	English
Secondary title:	Vienna suburbian girl in the works of Ivan Cankar and Arthur Schnitzler
Secondary abstract:	At the turn of the 19th century into the 20th century, Ivan Cankar and Arthur Schnitzler chose as their main theme the Vienna suburbs and a girl living in that milieu, most frequently coming from the proletarian or bourgeois background, Cankar's suburban girl is not familiar with the erotic frivolousness and melancholic charm of Schnitzler's "süsses Mädel"; she is stili half-child, although aged, stili absorbed in thoughts, burdened with care for survival, frequently a witness to, or a victim of sexual abuse. From an ugly body and ordinary life in the suburbs, which she is experiencing as a prison, she escapes into the yearning world of pure beauty, though this often leads to her death. Great differences can be found between the Slovene and Austrian authors in the portrayal of this suburban female figure; however, the frequently employed topic of death correlated to art, identity crisis, and aestheticism of life are the themes linking the two authors.
Secondary keywords:	Cankar;Ivan;1876-1918;Schnitzler;Arthur;1862-1931;Metafora;Literarni liki;Primerjalna književnost;Slovenska književnost;Avstrijska književnost;
URN:	URN:NBN:SI
Type (COBISS):	Scientific work
Pages:	str. [63]-72
Volume:	ǂLetn. ǂ49
Issue:	ǂšt. ǂ2
Chronology:	mar.-apr. 2004
ID:	1744415