Lik matere v dramatiki slovenske moderne in ekspresionizma

magistrsko delo

Marija Topole (Avtor), Mateja Pezdirc-Bartol (Mentor)

Povzetek

Lik matere v slovenski literaturi je predmet številnih raziskav. Vendar pa doslej še ni nastala raziskava, ki bi načrtno primerjala razvoj lika matere v različnih obdobjih. Namen magistrskega dela je raziskati lik matere v slovenski dramatiki v času moderne in ekspresionizma. Analiziranih je bilo 33 dramskih del, ki so bila izbrana na podlagi Koblarjeve Slovenske dramatike I in Slovenske dramatike II. Pripravila sem kriterije, po katerih so bila dramska dela analizirana, pri tem me je zanimalo predvsem, ali se lik matere pojavlja v stranski ali glavni vlogi, je materinstvo glavna ali obrobna tematika in kakšen je socialni položaj ženske. V analizi sem like mater razvrstila po tipologijah Katje Mihurko Poniž in Alojzije Zupan Sosič. Ugotovila sem, da se lik matere v obeh obdobjih pogosto pojavlja in da so vprašanja, povezana z materinstvom, največkrat obrobni motiv, ki pa pomembno vpliva na dogajanje v drami. Matere imajo največkrat stranske vloge, nikoli niso opredeljene s poklicem. V obeh obdobjih se najpogosteje pojavita hudobna mati in žrtvujoča se mati, kljub temu med obdobjema prihaja do razlik. V ekspresionizmu se v vlogi hudobne mame pojavljajo prave mame, v moderni pa večkrat skrbnice, ki prevzamejo materinsko vlogo. Razlika med obdobjema je tudi v pojavljanju materinske vloge skupaj z očetovsko - v moderni se največkrat vlogi pojavljata v paru, v ekspresionizmu pa smo večkrat priča samostojni pojavitvi materinskega lika.

Ključne besede

slovenska književnost;moderna;ekspresionizem;literarni liki;lik matere;lik ženske;bolonjski magisteriji;

Podatki

Jezik:	Slovenski jezik
Leto izida:	2015
Tipologija:	2.09 - Magistrsko delo
Organizacija:	UL FF - Filozofska fakulteta
Založnik:	[M. Topole]
UDK:	821.163.6.09-2"20"
COBISS:	58329698
Št. ogledov:	1198
Št. prenosov:	541
Ocena:	0 (0 glasov)
Metapodatki:

Ostali podatki

Sekundarni jezik:	Angleški jezik
Sekundarni povzetek:	The character of mother in Slovene literature has been the subject of numerous studies; however a survey that would systematically compare the development of the mother character in different eras has not been created yet. The purpose of this master's thesis is to research the mother character in Slovene modernist and expressionist drama. I have analysed 33 plays, which were selected from Slovenska dramatika I and Slovenska dramatika II by F. Koblar. I most notably based my analysis of the plays on whether the mother character was portrayed as a supporting or main character, whether the role of motherhood was a major or a minor theme and what was the social status of those women. In my analysis I arranged the mother characters based on typologies by Katja Mihurko Poniž and Alojzija Zupan Sosič. I have ascertained that the mother character is frequently present in both modernist as well as expressionist drama and that the issues related to motherhood are a predominantly minor motif but one that has a significant impact on the events in the play. Mothers usually appear as supporting characters and their occupation is never specified. In both modernist and expressionist drama the roles of the evil mother and the self-sacrificing mother are most common; however there are differences between the two dramas. In expressionist drama the role of the evil mother is filled by the biological mother, while in modernist drama that role is filled by a guardian who takes on the maternal role. The difference between the two dramas is also in the occurrence of the maternal role in relation to the paternal role - in modernist drama the two roles principally appear together, while in expressionist drama the maternal role most commonly appears by itself.
Vrsta dela (COBISS):	Magistrsko delo/naloga
Komentar na gradivo:	Univ. v Ljubljani, Fil. fak., Oddelek za slovenistiko
Strani:	95 str.
ID:	10914851