ǂthe ǂscapegoat in Partisan photographs at the end of the Italian Civil War
Martina Caruso (Author)

Abstract

This essay examines how Partisan self-representation in photography directly participated in the creation of a post-war humanist visual culture embedded in an idea of Christian redemption.

Keywords

Second World War;Italy;Civil War;liberation;Partisan movement;resistance;fascism;antifascism;Allies;Nazis;photography;Christianity;Catholicism;communism;reconstruction photography;martyrdom;masculinity;gender;

Data

Language: English
Year of publishing:
Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization: UNG - University of Nova Gorica
UDC: 32
COBISS: 137657859 Link will open in a new window
Views: 270
Downloads: 0
Average score: 0 (0 votes)
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Other data

URN: URN:SI:UNG
Type (COBISS): Not categorized
Pages: Str. 192-214
ID: 17698349
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