ǂthe ǂscapegoat in Partisan photographs at the end of the Italian Civil War
Martina Caruso (Avtor)

Povzetek

This essay examines how Partisan self-representation in photography directly participated in the creation of a post-war humanist visual culture embedded in an idea of Christian redemption.

Ključne besede

Second World War;Italy;Civil War;liberation;Partisan movement;resistance;fascism;antifascism;Allies;Nazis;photography;Christianity;Catholicism;communism;reconstruction photography;martyrdom;masculinity;gender;

Podatki

Jezik: Angleški jezik
Leto izida:
Tipologija: 1.16 - Samostojni znanstveni sestavek ali poglavje v monografski publikaciji
Organizacija: UNG - Univerza v Novi Gorici
UDK: 32
COBISS: 137657859 Povezava se bo odprla v novem oknu
Št. ogledov: 270
Št. prenosov: 0
Ocena: 0 (0 glasov)
Metapodatki: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Ostali podatki

URN: URN:SI:UNG
Vrsta dela (COBISS): Delo ni kategorizirano
Strani: Str. 192-214
ID: 17698349
Priporočena dela:
, ǂthe ǂscapegoat in Partisan photographs at the end of the Italian Civil War
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