Uprizoritev dramskega besedila in njena recepcija

(Ivan Cankar: Hlapci)

Abstract

Prispevek obravnava recepcijo slovenskega dramskega besedila v gledališču s stališča gledalca. Na primeru treh različnih uprizoritev Hlapcev Ivana Cankarja v tem tisočletju je prikazano, da je uprizoritev samostojno umetniško delo, ki dramsko besedilo aktualizira, ga postavlja v nove kontekste in tako še obogati izkušnjo, ki jo ima z dramskim besedilom bralec – dramsko besedilo v svoji popolnosti zaživi šele na odru.

Keywords

Ivan Cankar: Hlapci;slovenska dramatika;uprizoritev;gledališče;gledalec;bralec;

Data

Language:	Slovenian
Year of publishing:	2014
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL AGRFT - Academy of Theatre, Radio, Film and Television
UDC:	792.02:821.163.6-2.09Cankar I."20"
COBISS:	3762011
Views:	9
Downloads:	1
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	The article deals with the reception of Slovene dramatic text in theatre from the audience’s point of view. Considering three different stagings of The Bondsmen by Ivan Cankar in this millennium, it is shown that a staging is an independent work of art that can relate to a topical issue. It puts the dramatic text in new contexts and by doing so enriches the experience of the recipient – the dramatic text really comes fully to life only on stage.
Secondary keywords:	Ivan Cankar: Hlapci;Slovene dramatics;staging;theatre;spectator;reader;
Type (COBISS):	Article
Pages:	Str. 545-550
ID:	19495866