Špela Oman (Author)

Abstract

Prispevek predstavlja tematsko-motivno navezavo na obdobje baroka v Hiengovi tragikomediji Osvajalec, ki nastavlja ogledalo času svojega nastanka s pomočjo zgodovinskega okvira španskega osvajanja Mehike. Andrej Hieng evocira duha baroka z vrsto baročnih konvencij, od tem minljivosti, nestalnosti, ničevosti in utvare, prek baročnih topik, kot sta "življenje je sen" in "svet kot gledališče", do upodobitve za barok značilnih kontrastov, ki razodevajo napetosti in protislovja sveta v krizi.

Keywords

slovenska književnost;slovenska dramatika;zgodovinska drama;barok;Osvajalec;1945-;Hieng;Andrej;1925-1999;"Osvajalec";

Data

Language: Slovenian
Year of publishing:
Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization: UL FF - Faculty of Arts
UDC: 821.163.6.09-24Hieng A.:94(460:72)"15"
COBISS: 50879330 Link will open in a new window
Views: 6
Downloads: 0
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Other data

Secondary language: English
Secondary abstract: This paper analyses thematic reference to the Baroque era in Andrej Hieng's tragicomedy Osvajalec (The Conqueror) which holds up a mirror to the period of its creation by using the historical context of the Spanish conquest of Mexico. Hieng evokes the Baroque spirit through a series of Baroque conventions, ranging from themes of transience, inconstancy, vanity, illusion, and Baroque topics such as "life is a dream" and "the world as a stage", to the depiction of some characteristic Baroque contrasts that reveal the tensions and contradictions of a world in crisis.
Secondary keywords: Slovene literature;Slovene drama;historical drama;Baroque;1945-;
Type (COBISS): Article
Pages: Str. 207-214
ID: 19574812
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