(dva primera)

Abstract

Odrsko govorno estetiko posamezne uprizoritve ustvari sinergizem različnih govorov posameznih igralcev, z režijskim konceptom povezanih v uprizoritveno (govorno) celoto, umeščeno v gledališke okoliščine. S tega stališča vsaka uprizoritev oblikuje svojo govorno estetiko. V širšem smislu pa se odrskogovorna estetika nanaša na različna gledališkozgodovinska obdobja in je odvisna od raznovrstnih gledaliških estetik ter zgodovinskih, političnih, kulturnih, jezikoslovnih idr. kontekstov. Kaže se kot skupek podobnih govornih strategij v več uprizoritvah nekega obdobja. V prispevku skušam na dveh odlomkih iz dveh časovno precej odmaknjenih uprizoritev (Tugomer, 1947, Fužinski bluz, 2005) pokazati nekatere razlike v oblikovanju odrskega govora.

Keywords

slovenska dramatika;slovensko gledališče;slovenščina;odrski govor;odrskogovorna estetika;glasovni govorni sloj;besedilni govorni sloj;vidna nebesedna izrazila;Tugomer;Fužinski bluz;Skubic;Andrej E.;1967-;Levstik;Fran;1831-1887;

Data

Language: Slovenian
Year of publishing:
Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization: UL AGRFT - Academy of Theatre, Radio, Film and Television
UDC: 808.55:792.02(497.4)
COBISS: 3397723 Link will open in a new window
Views: 4
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Other data

Secondary language: English
Secondary abstract: The stage speech aesthetics of an individual performance is created by the synergism of the different speeches of individual actors which are connected by the directorʼs concept to the presentational (speech) whole and embedded within the theatrical situation. From this perspective each performance shapesits own speech aesthetics. In the wider sense, stage speech aesthetics relates to different periods of theatre history and is dependent on diverse theatrical aesthetics and historical, political, cultural, linguistic and other such contexts. It appears as a unit of similar speech strategies in several performances from an era. In this paper, the author attempts to show differences in the shaping of stage speech using excerpts from two performances from different time periods (Tugomer, 1947, Fužinski bluz, 2005).
Secondary keywords: Slovene drama;Slovene theatre;Slovene language;stage speech;stage speech aesthetics;voice speech stratum;text speech stratum;visible non-verbal expression;
Type (COBISS): Article
Pages: Str. 249-256
ID: 19574818