Dramske prvine v sodobnem slovenskem romanu

Abstract

Med dramskimi prvinami je bilo doslej v sodobnem slovenskem romanu (1990-2010) največ pozornosti posvečeno govoru. Da bi se približala še ostalim dramskim prvinam - neposredni transformaciji, vizualizaciji in skrbi za vzdušje - sem si izbrala roman Čefurji raus! (2008) Gorana Vojnovića, ki vsebuje več dramskih prvin vzporedno. Ugotovila sem, da so prisotne dramske prvine v tem romanu bistveno prispevale k scenarizaciji, procesu rahljanja romaneskne pripovedi oz. spreminjanja njenega epskega jedra v scenaristične značilnosti.

Keywords

slovenska književnost;sodobni slovenski roman;roman;dramske prvine;gledališki govor;Čefurji raus;Vojnović;Goran;1980-;

Data

Language:	Slovenian
Year of publishing:	2012
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL FF - Faculty of Arts
UDC:	821.163.6.09-31Vojnović G.:82-2:808.56
COBISS:	50695010
Views:	35
Downloads:	0
Average score:	0 (0 votes)
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Other data

Secondary language:	English
Secondary abstract:	In the contemporary Slovene novel (1990-2010), with regard to the dramatic elements, most attention has so far been paid to speech. To get closer to other dramatic elements - direct transformation, visualisation and an effort to create atmosphere - I have chosen Goran Vojnović's novel Čefurji raus (2008), which employs a melange of dramatic elements. I have came to the conclusion that the dramatic elements in this novel contribute to the process of bringing it closer to screen play, i.e. the transformation of the epic core of the novel into the characteristics of a screenplay.
Secondary keywords:	Slovene literature;contemporary Slovene novel;dramatic elements;speech;Čefurji raus;
Type (COBISS):	Article
Pages:	Str. 359-366
ID:	19574830