Prostor kot izrazno sredstvo kritične refleksije kapitalističnega sistema v drami Naše skladišče Tjaše Mislej

diplomsko delo

Jerca Polc (Author), Igor Žunkovič (Mentor)

Abstract

Diplomska naloga se ukvarja s prostorom v sodobni slovenski drami avtorice Tjaše Mislej: Naše skladišče iz leta 2020. Izhajam iz teoretičnega ozadja postdramskega gledališča po Hansu-Thiesu Lehmannu in opredelitve prostora po Gay McAuley, Anne Ubersfeld in Meti Hočevar, ki jo navezujem na obravnavano dramo. Namen dela je ugotoviti, kako prostor, kakor je predstavljen v drami, komentira oziroma reflektira kapitalistični sistem kot glavnega »krivca« za neugoden položaj glavnih likov (štirih žensk različnih starosti in karakterjev). Opredelitev kapitalizma v nalogi izhaja iz Zygmunta Baumana (Tekoča moderna) ter Noama Chomskega in Marva Waterstona (Consequences of Capitalism). Glavni poudarki so namenjeni besedilnim prostorskim referencam v drami, osrednjemu položaju prostora in načinu, kako s svojo vseobsegajočo prisotnostjo nad osrednjimi liki prikazuje neizprosnost sistema, v katerega so ujeti izkoriščani in podplačani delavci.

Keywords

slovenska dramatika;postdramsko gledališče;dramski prostor;kapitalizem;potrošništvo;diplomsko delo;Mislej;Tjaša;1985-;

Data

Language:	Slovenian
Year of publishing:	2023
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[J. Polc]
UDC:	821.163.6.09-2Mislej T.
COBISS:	164561411
Views:	11
Downloads:	5
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Space as a form of expression critically evaluating the capitalist system in the play Our Warehouse by Tjaša Mislej
Secondary abstract:	The thesis deals with theatrical space in the contemporary Slovenian drama Our Warehouse by Tjaša Mislej, from 2020. I lean on the theoretical background of postdramatic theatre according to Hans-Thies Lehmann and the definition of space according to Gay McAuley, Anne Ubersfeld and Meta Hočevar, which I apply to the drama in question. The purpose of the thesis is to determine how the theatrical space, as presented in the drama, comments or reflects the capitalist system as the main culprit for the unfavorable position of the main characters (four women of different ages and personalities). The definition of capitalism in the thesis is derived from Zygmunt Bauman (Liquid Modernity) and Noam Chomsky with Marv Waterstone (Consequences of Capitalism). The main emphasis is on the spatial references in the text, the centrality of space and the way it shows the inexorability of the system in which exploited and underpaid workers are trapped by its all-encompassing presence.
Secondary keywords:	Slovene drama;postdramatic theatre;theatrical space;capitalism;consumerism;genre syncretism;
Type (COBISS):	Bachelor thesis/paper
Study programme:	1011025
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za primerjalno književnost in literarno teorijo
Pages:	29 f.
ID:	19937447