Med družbenim in individualnim - slovenska in slovaška kratka proza po letu 1989

Abstract

V sodobni slovenski in slovaški kratki prozi se vloga zgodovine kaže na več načinov: kot tematizacija zgodovinskega spomina, torej dojemanje in upodobitev preteklosti, in kot vprašanje, v kolikšni meri posameznika zaznamujeta prostor in čas. Pavel Vilikovsky v kratkih zgodbah Romeo iz epohe socializma (Romeo z epohy socialistického realizmu, 1989) in Vse, kar vem o srednjeevropejstvu (Všetko, čo viem o stredoeuropanstve, 1989) prikazuje nekatere ustaljene in prenovljene upodobitve preteklosti, kjer majhne, intimne zgodbe beremo z empatijo, ironična dimenzija pa je prisotna pri temah nacionalne oz. kulturne identitete. Jančarjevi noveli Augsburg (1994) in Joyceov učenec (1998) govorita o nemoči posameznika v vrtincu zgodovine, nedojemljivosti sveta izključno z razumom in odsotnosti enega smisla ali celovitega pogleda na svet.

Keywords

slovenska književnost;slovenski pisatelji;slovaška književnost;slovaški pisatelji;kratka proza;zgodovina;primerjalne študije;1989-;Jančar;Drago;1948-;Vilikovský;Pavel;1941-;

Data

Language:	Slovenian
Year of publishing:	2010
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL FF - Faculty of Arts
UDC:	821.163.6-32.09:821.162.4-32.09"1989/20"
COBISS:	44034658
Views:	5
Downloads:	0
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	In contemporary Slovene and Slovak short prose, the role played by history is reflected in different ways: through the realisation of historical memory - that is, as the perception and representation of the past - and also by asking to what extent an individual is determined by time and space. In his short stories Rómeo z epochy socialistického realizmu (A Socialist-Realist Romeo, 1989) and Všetko, čo viem o stredoeurópanstve (Everything I Know about Central Europeanism, 1989) Pavel Vilikovsky depicts certain received and renewed representations of the past in small, intimate stories which can be read with empathy, whereas an ironic dimension dwells in some themes addressing national or cultural identities. Jančar's novellas Augsburg (1994) and Joyceov učenec (Joyce's Pupil, 1998) portray the powerlessness of the individual in the maelstrom of history; that is, our inability to comprehend the world solely through rational thought, and the absence of only one signification, one all-encompassing world view.
Secondary keywords:	slovene literature;Slovene writers;Slovak literature;Slovak writers;short story;short narrative prose;history;comparative studies;1989-;
Type (COBISS):	Article
Pages:	Str. 269-274
ID:	19975905