Motiv Parisove sodbe v renesančni umetnosti

diplomsko delo

Vid Stajnko (Author), Tine Germ (Mentor)

Abstract

Zaključna naloga obravnava motiv Parisove sodbe, enega izmed ključnih motivov klasične mitologije, ki ga lahko v umetnosti srečamo zelo pogosto. Pričujoče diplomsko delo ponuja kratek pregled tega motiva skozi obdobja, s poudarkom na renesančni umetnosti, kjer klasična mitologija ponovno doživi razcvet in si motiv Parisove sodbe vnovič utre pot med najbolj priljubljene prizore iz zakladnice klasične mitologije. Predstavljena so številna dela, začenši z vaznim slikarstvom v umetnosti antične Grčije, redkimi ohranjenimi primeri stenskega slikarstva v rimski umetnosti, v nadaljevanju so izpostavljeni posamezni primeri srednjeveškega knjižnega slikarstva. Osrednji del je namenjem renesansi, kjer je pozornost posebej posvečena slikarski umetnosti in deloma tudi umetni obrti.

Keywords

umetnostna zgodovina;ikonografija;renesančna umetnost;klasična mitologija;diplomska dela;

Data

Language:	Slovenian
Year of publishing:	2023
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[V. Stajnko]
UDC:	7.034:255.2-162.4(043.2)
COBISS:	174107395
Views:	76
Downloads:	12
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	The Iconographic Motif of the Judgement of Paris in Renaissance Art
Secondary abstract:	The final seminar paper deals with the motif of the Judgment of Paris, one of the key motifs of classical mythology, which can be seen very often in art. The final seminar paper offers a brief overview of this motif through the periods, with an emphasis on Renaissance art, where classical mythology once again flourishes and the motif of the Judgment of Paris once again paves its way among the most popular scenes from the treasury of classical mythology. Numerous works are presented, starting with important vase paintings in the art of ancient Greece, rare preserved examples of wall painting in Roman art, and individual examples of medieval miniature painting are also introduced. The central part of the paper is dedicated to the Renaissance, where special attention is paid to the art of painting and partly also to applied arts.
Secondary keywords:	art history;iconography;renaissance art;classical mythology;
Type (COBISS):	Bachelor thesis/paper
Study programme:	1011026
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za umetnostno zgodovino
Pages:	66 str.
ID:	20005300