magistrsko delo
Nina Osenjak (Author), Adriana Magdovski (Mentor), Oto Rimele (Co-mentor)

Abstract

Impresionizem je umetnostni slog, ki se je najprej razvil v slikarstvu in kasneje v glasbi. Razvil se je v poznem 19. stoletju v prestolnici Francije. Impresionistični slikarji so s svojim nekonvencionalnim pristopom k obravnavanju barv, ustvarjanjem v naravi ter uporabo kratkih, nejasnih potez in linij z upodabljanjem trenutnih vtisov in naravnih motivov močno vplivali na takratne skladatelje, zlasti na Debussyja in posredno tudi na Ravela. Pod močnim vplivom simbolizma sta skladatelja zamajala temelje tradicionalne harmonije z vpeljavo novih lestvic in modalnosti, obogatila akorde s kromatičnimi odtenki, svobodno uporabljala disonance, eksotične ritme, zvočne efekte in ter razširila zvočno paleto z vključevanjem manj uveljavljenih instrumentov. V osrednjem delu zaključnega dela obravnavamo in raziskujemo vzporednice med francoskimi impresionističnimi slikarji in klavirskimi deli glasbenih impresionistov, pri čemer v ospredje postavljamo Ravela. Na podlagi literature ugotavljamo njegovo povezavo z njegovimi sodobniki, pri čemer se kaže vpliv predvsem Debussyja in ustvarjalcev kot sta Satie in Fauré. Čeprav so delili nekatere skupne estetske in slogovne značilnosti, je Ravel sčasoma oblikoval svoj prepoznaven glasbeni jezik, ki sega preko zgolj impresionističnih okvirjev. Z večjim poudarkom na klasicističnih oblikovalnih nazorih ga označujemo kot ''klasika impresionizma''. V zaključnem delu na podlagi Skrjabinove sinestezije, kjer povežemo barvo in zvok, in izbranih štirih klavirskih skladbah Ravela in Debussyja iščemo vzporednice z impresionističnimi slikarji.

Keywords

magistrska dela;impresionizem;slikarstvo;glasba;poezija;klavir;Claude Debussy;Maurice Ravel;sinestezija;

Data

Language: Slovenian
Year of publishing:
Typology: 2.09 - Master's Thesis
Organization: UM PEF - Faculty of Education
Publisher: [N. Osenjak]
UDC: 78:75(043.2)
COBISS: 195503107 Link will open in a new window
Views: 29
Downloads: 5
Average score: 0 (0 votes)
Metadata: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Other data

Secondary language: English
Secondary title: Piano Pieces by Ravel and Debussy in Relation to Impressionist Painting
Secondary abstract: Impressionism is an art style that first developed in painting and later in music. It developed in the late 19th century in the capital of France. Impressionist painters, with their unconventional approach to dealing with colours, creating in nature, and using short, vague strokes and lines, along with depicting current impressions and natural motifs, strongly influenced composers of the time, especially Debussy and, indirectly, also Ravel. Under the strong influence of symbolism, they have shaken the foundations of traditional harmony by introducing new scales and modality, enriched chords with chromatic shades, freely used dissonances, exotic rhythms, sound effects, and expanded the sound palette by including less established instruments. In the main part of the master's thesis, we discuss and explore the parallels between French Impressionist painters and piano works by musical impressionists, focusing on Ravel. On the basis of the literature, we find his connection with his contemporaries, where especially the influence of Debussy and composers such as Satie and Fauré can be seen. Although they shared some common aesthetic and stylistic features, Ravel eventually formed his recognizable musical language, which extends beyond mere Impressionist frames. With greater emphasis on classicist design views, we refer to it as the "classic of impressionism". In the master thesis, based on Scriabin's synaesthesia, where we combine colour and sound, and selected four piano compositions by Ravel and Debussy, we look for parallels with Impressionist painters.
Secondary keywords: master thesis;impressionism;painting;music;symbolism;piano;Claude Debussy;Maurice Ravel;synaesthesia;Ravel;Maurice;1875-1937;Debussy;Claude;1862-1918;Likovna umetnost;Glasba;Impresionizem;Univerzitetna in visokošolska dela;
Type (COBISS): Master's thesis/paper
Thesis comment: Univ. v Mariboru, Pedagoška fak., Oddelek za glasbo
Pages: 1 spletni vir (1 datoteka PDF (XI, 157 str.))
ID: 23414992