magistrsko delo
Petra Gumilar Černela (Author), Tomaž Svete (Mentor)

Abstract

Pavel Haas je češki skladatelj, ki je svoja zadnja leta preživel v nacističnem tranzitnem getu Theresienstadt (Terezín). Tja je bil poslan po nemški okupaciji Češke, leta 1941. Bil je eden najdejavnejših theresienstadskih skladateljev, bil pa je tudi eden najboljših učencev češkega skladatelja Leoša Janáčka. Njegova dela so izražala problematiko tedanjega časa, še posebej tista, ki so bila napisana v času ujetništva v getu. Glasba je bila nabita s čustvi, polna simbolov in aluzij različnih glasbenih oblik. Preden je bil transportiran, je bil, vse od njegovega glasbenega šolanja pa do tedaj, 20 let glasbeno ustvarjalen. V tem času je ustvaril preko 50 del, od tega jih je v getu napisal sedem. Na njegov slog je vplival ugledni češki skladatelj Leoš Janáček, pri katerem se je tudi šolal. Haas je črpal navdih iz moravskih ljudskih pesmi, glasbe judovskih sinagog, navdih so mu bili tudi skladatelji umetniške glasbe, kot so Stravinski, Honegger, Milhaud in Poulec. V času nacističnih napadov so bile izvedbe njegovih del prepovedane. V letu 1944 je bil 16. oktobra deportiran v nacistično koncentracijsko taborišče Auschwitz, kjer je kmalu po prihodu umrl v plinski celici. S tem se je njegovo življenje tragično zaključilo.

Keywords

magistrska dela;antisemitizem;druga svetovna vojna;Theresienstadt;Godalni kvartet;analiza;Pavel Haas;

Data

Language: Slovenian
Year of publishing:
Typology: 2.09 - Master's Thesis
Organization: UM PEF - Faculty of Education
Publisher: [P. Gumilar Černela]
UDC: 785.74:929Haas P.(043.2)
COBISS: 203488771 Link will open in a new window
Views: 17
Downloads: 0
Average score: 0 (0 votes)
Metadata: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Other data

Secondary language: English
Secondary title: Analysis of String quartet no. 2, op. 7 by Pavel Haas
Secondary abstract: Pavel Haas is a Czech composer who spent the last years of his life in the Theresienstadt concentration camp (Terezín). He was sent there after the German occupation of the Czech Republic in 1941. He was one of the most active composers in Theresienstadt and also one of the best students of the Czech composer Leoš Janáček. His works expressed the problems of the time, especially those written during his captivity in the camp. The music was emotionally charged and filled with symbols and allusions to various musical forms. Before his relocation, he had been expressing musical creativity for 20 years, starting from his time in music school. During this period, he composed over 50 pieces, seven of which were written in the camp. His style was influenced by the renowned Czech composer Leoš Janáček, with whom he also studied. Haas drew inspiration from Moravian folk songs, the music of Jewish synagogues, and art music composers such as Stravinsky, Honegger, Milhaud, and Poulec. During the Nazi attacks, it was forbidden to perform his works. On October 16, 1944, he was deported to the Nazi concentration camp Auschwitz, where he died in a gas chamber shortly after arriving. This was the tragic end of his life.
Secondary keywords: master theses;antisemitism;Second World War;Terezín;String quartet;analysis;Pavel Haas;Haas;Pavel;1899-1944;Antisemitizem;Svetovna vojna (1939-1945);Godalni kvarteti;Univerzitetna in visokošolska dela;
Type (COBISS): Master's thesis/paper
Thesis comment: Univ. v Mariboru, Pedagoška fak., Oddelek za glasbo
Pages: 1 spletni vir (1 datoteka PDF (VIII, 147 str.))
ID: 24226285